Konstfacks bibliotek

   
English art, 1860-1914 : modern artists and identity
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  • KONST - Ib-e
Titel och upphov
  • English art, 1860-1914 : modern artists and identity
Utgivning, distribution etc.
  • Manchester University Press , Manchester, UK ; 2000 : 2000
Utgivningsår
  • 2000
  • Språk: Engelska.
SAB klassifikationskod
Fysisk beskrivning
  • xii, 274 p., [4] p. of col. plates : ill. (some col.) : 25 cm.
Serietitel - ej biuppslagsform
Anmärkning: Bibliografi etc.
  • Includes bibliographical references (p. [213]-265) and index.
Term
ISBN
  • 0-7190-5519-9
  • 978-0-7190-5519-5
  • 978-0-7190-5519-5
  • 0-7190-5520-2 (pbk.)
  • 0-7190-5520-2
  • 978-0-7190-5520-1 (pbk.)
  • 978-0-7190-5520-1
  • 0-7190-5519-9
Antal i kö:
  • 0 (0)
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*020  $a0-7190-5519-9
*020  $a978-0-7190-5519-5
*020  $a978-0-7190-5519-5
*020  $a0-7190-5520-2 (pbk.)
*020  $a0-7190-5520-2
*020  $a978-0-7190-5520-1 (pbk.)
*020  $a978-0-7190-5520-1
*020  $a0-7190-5519-9
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*084  $a20.70
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*24510$aEnglish art, 1860-1914 :$bmodern artists and identity  /$cedited by David Peters Corbett and Lara Perry
*260  $aManchester, UK ;$a2000 :$bManchester University Press ,$c2000
*300  $axii, 274 p., [4] p. of col. plates  :$bill. (some col.)  :$c25 cm.
*4900 $aBarber Institute's critical perspectives in art history series
*504  $aIncludes bibliographical references (p. [213]-265) and index.
*650 4$aModernism (konst)
*650 4$aStorbritannien
*650 4$aModernism (Art)
*650 4$aEngland.
*650 4$aArt, English
*650 4$a19th century.
*650 4$aArt, English
*650 4$a20th century.
*650 4$aBeeldende kunsten.
*697  $cKonsthistoria: Brittiska öarna (Storbritannien): 1905-
*7001 $aPeters Corbett, David,$d1956-$4edt
*7001 $aPerry, Lara$4edt
*8520 $hKONST -  Ib-e
^
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How modern is the art made in England between 1860 and 1914? England in the period was a highly modernized society, but the art it produced is not modernist in the sense that the word has been used to describe advanced French art of the 19th and 20th centuries. This book breaks the association of modern art in England with French models and to describe anew the relationship between English art, England's artists and their modern culture.

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