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Titel och upphov Women making art : history, subjectivity, aesthetics
Utgivning, distribution etc. Routledge , London ; 2003 : 2003
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning
Term
ISBN 0-415-24277-0 (inb.) 0-415-24277-0 0-415-24278-9 (hft.) 0-415-24278-9
Antal i kö:
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*1001 $aMeskimmon, Marsha
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*650 4$aKonstvetenskap
*650 4$a1900-talet
*650 4$aKonstnärer
*650 4$aKonst
*650 4$aFeminsitisk teori
*650 4$aKvinnobilden
*650 4$aEstetik
*650 4$aKönsolikheter
*650 4$aGlobalt perspektiv
*650 4$aKvinnliga konstnärer
*650 4$a1900-talet
*697 $cKonstteori och konstestetik
*697 $cKonst: allmänt
*8520 $hKONST - Iaa
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Women have been making art for centuries, yet their work has been seen as secondary or has gone unrecognized altogether. Women Making Art asks why this is so, and what it would take for us to realize the extent of women's extraordinary contribution to the arts.
Marsha Meskimmon mobilizes contemporary feminist thinking to reconsider how and why women have made art. She examines work by a wide range of women artists from different cultures and historical periods, including Rebecca Horn, Rachel Whiteread, Shirin Neshat and Maya Lin, emphasizing the diversity of women's art and the importance of differences between women.
List of illustrations p. ix Acknowledgements p. xiii Introduction: women making art p. 1 Exhilaration and danger p. 1 The work of art p. 4 New epistemes p. 7 History p. 11 Introduction p. 13 Exiled histories: Holocaust and Heimat p. 17 Home, covenant and the profundity of the everyday p. 21 High culture, assimilation and modernity p. 27 Corporeal cartography: women artists of the anglophone African diaspora p. 35 Dancers, mothers and modernity p. 38 Dancing: place and ethnography p. 44 Re-inscribing histories: Viet Nam and representation p. 50 Mass media, documentary and reportage p. 55 Nation, difference and bodies politic p. 60 Subjectivity p. 69 Introduction p. 71 Embodiment: space and situated knowledge p. 75 Embodying the woman artist p. 75 Embodied vision: situation(ism), the library and the studio p. 81 Skin, borderlands and mestiza knowledge p. 85 Performativity: desire and the inscribed body p. 91 From the performed to the materialised p. 91 Inside/outside p. 97 Erotic surfaces p. 105 Becoming: individuals, collectives and wondrous machines p. 110 Flower painters and feminist figurations p. 110 Figuring the body in the virtual machine p. 119 Transindividuality and the loop of becoming p. 124 Aesthetics p. 129 Introduction p. 131 Pleasure and knowledge: 'Orientalism' and filmic vision p. 135 Aesthetics: pleasure and the voice p. 139 Aesthetics: pleasure and the embodied eye p. 144 Aesthetics: pleasure and 'inter' space of corporeal theory p. 148 The word and the flesh: text/image re-made p. 151 Reading matter p. 154 The book in the expanded field p. 160 The place of time: Australian feminist art and theory p. 168 A glance at (ec)centric histories p. 171 Hesitation, elaboration and the emergent subject p. 178 Afterword - On Wonder p. 185 Notes p. 186 Bibliography p. 209 Index p. 223