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Exhibiting experimental art in China
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Personnamn
Titel och upphov
  • Exhibiting experimental art in China
Utgivning, distribution etc.
  • David and Alfred Smart Museum of Art, the University of Chicago , Chicago ; 2000 : [c2000]
Utgivningsår
  • 2000
  • Språk: Engelska.
SAB klassifikationskod
Fysisk beskrivning
  • 224 p. : ill. (some col.) : 28 cm.
Anmärkning: Allmän
  • Published in conjunction with the exhibition Canceled ; exhibiting experimental art in China, November 19, 2000-January 7, 2001.
Anmärkning: Bibliografi etc.
  • Includes bibliographical references (p. 218-221).
Term
Institutionsnamn
ISBN
  • 0-935573-33-X
  • 0-935573-33-X
  • 978-0-935573-33-6
  • 978-0-935573-33-6
Antal i kö:
  • 0 (0)
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*24510$aExhibiting experimental art in China  /$cWu Hung
*260  $aChicago ;$a2000 :$bDavid and Alfred Smart Museum of Art, the University of Chicago ,$c[c2000]
*300  $a224 p.  :$bill. (some col.)  :$c28 cm.
*500  $aPublished in conjunction with the exhibition Canceled ; exhibiting experimental art in China, November 19, 2000-January 7, 2001.
*504  $aIncludes bibliographical references (p. 218-221).
*650 4$aExperimentell konst
*650 4$aKina
*650 4$aKonstutställningar
*650 4$aKina
*650 4$aArt, Chinese
*650 4$aExhibitions.
*650 4$a20th century
*650 4$aAvant-garde (Aesthetics)
*650 4$aExhibitions.
*650 4$aHistory
*650 4$a20th century
*650 4$aChina
*650 4$aArt
*650 4$aExhibitions
*650 4$aHistory
*650 4$a20th century.
*650 4$aExhibitions
*650 4$aHistory
*650 4$a20th century.
*650 4$aChina
*697  $cKonsthistoria: Kina: 1905-
*697  $cKonstutställningar
*7101 $aDavid and Alfred Smart Museum of Art.
*8520 $hKONST - Ib-oea
*900  $aWu, Hong
*900  $a1945-
*900  $a1945-
*900  $aWu, Hung
*900  $a1945-
*900  $a1945-
^
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In his new book, Wu Hung raises timely questions about artistic freedom and censorship. Here, as in the Smart Museum's exhibition Canceled: Exhibiting Experimental Art in China, Wu uses the government's cancellation of the exhibition It's Me (Beijing, 1998) to anchor his analysis of the challenges faced by contemporary Chinese artists and curators.

During this time of rapid change in mainland China, artists and curators are seeking new ways to show work, and finding new allies, patrons and audiences. They are investigating ways to respond to official antagonism, to realize the potential of experimental art in the public sphere, and to maintain the independence of this art in an increasingly commercialized society. Wu addresses these issues through a survey of current exhibition practices, a discussion of the Smart Museum exhibition, a case study of It's Me, a rich collection of primary materials from eleven recent exhibitions. By introducing readers to the complex milieu of experimental artists and curators in China, Wu makes a major contribution to the growing scholarship on contemporary Chinese culture.

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