Hylla
Titel och upphov Typography papers. 7, 2007.
Varianttitel
Utgivning, distribution etc.
Utgivningsår
Fysisk beskrivning
Anmärkning: Bibliografi etc. Includes bibliographical references.
Anmärkning: Innehållsbeskrivning, sammanfattning "Typography Papers" is an occasional book-length publication with a broad international scope, publishing extended articles relating typography to adjacent disciplines. Number 7 presents an eclectic collection of articles beginning with a lengthy consideration by type historian H. D. L. Vervliet of Claude Garamond: the designer whose new roman typefaces debuted in Paris in the 1530s and went on to dominate Western typography for the next two centuries. The late Justin Howes looks at the eighteenth-century belief in the necessity of perfection in type and printing. Eric Kindel discusses a nineteenth-century scheme for univeral letters. Sue Walker writes on twentieth-century typefaces designed for reading by young children. The issue concludes with Linda Reynolds's eyewitness account of pioneering work in legibility research in the 1970s and 1980s.
Term
ISBN 978-0-907259-33-6 0-907259-33-2
Antal i kö:
*00002002nam a2200361Ka 4500
*00125448
*00520141001030847.7
*008071029s2007 enka b 000 0 eng
*020 $a978-0-907259-33-6
*020 $a0-907259-33-2
*035 $a(SE-LIBR)10690247
*035 $a(Ko)29385
*040 $aNOG$cNOG$dBAKER
*24500$aTypography papers.$n7,$p2007.
*2463 $a2005
*260 $aLondon :$bHyphen,.$c2007.
*300 $a128 p. :$bill. ;$c30 cm.
*504 $aIncludes bibliographical references.
*520 $a"Typography Papers" is an occasional book-length publication with a broad international scope, publishing extended articles relating typography to adjacent disciplines. Number 7 presents an eclectic collection of articles beginning with a lengthy consideration by type historian H. D. L. Vervliet of Claude Garamond: the designer whose new roman typefaces debuted in Paris in the 1530s and went on to dominate Western typography for the next two centuries. The late Justin Howes looks at the eighteenth-century belief in the necessity of perfection in type and printing. Eric Kindel discusses a nineteenth-century scheme for univeral letters. Sue Walker writes on twentieth-century typefaces designed for reading by young children. The issue concludes with Linda Reynolds's eyewitness account of pioneering work in legibility research in the 1970s and 1980s.
*650 0$aLegibility (Printing).
*650 0$aPrinting$xPeriodicals.
*7001 $aVervliet, Hendrik D. L.,$d1923-
*7001 $aGaramond, Claude,$dd. 1561
*7001 $aKindel, Eric.
*7001 $aReynolds, Linda.
*7001 $aWalker, Sue.
*7001 $aHowes, Justin.
*841 $5Ko$ax a$b0802194u 8 1001uu 0901128$e4
*852 $5Ko$bKo$hAec(p)
*900 $aVervliet, Hendrik Désiré L.,$d1923-$uVervliet, Hendrik D. L.,$d1923-
*900 $aVervliet, Hendrik Désiré Louis,$d1923-$uVervliet, Hendrik D. L.,$d1923-
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Typography Papers is an occasional book-length publication with a broad international scope, publishing extended articles relating typography to adjacent disciplines. Number 7 presents an eclectic collection of articles beginning with a lengthy consideration by type historian H. D. L. Vervliet of Claude Garamond: the designer whose new roman typefaces debuted in Paris in the 1530s and went on to dominate Western typography for the next two centuries. The late Justin Howes looks at the eighteenth-century belief in the necessity of perfection in type and printing. Eric Kindel discusses a nineteenth-century scheme for univeral letters. Sue Walker writes on twentieth-century typefaces designed for reading by young children. The issue concludes with Linda Reynolds's eyewitness account of pioneering work in legibility research in the 1970s and 1980s.