Konstfacks bibliotek : Art in theory 1648-1815 : an anthology of changing ideas

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Art in theory 1648-1815 : an anthology of changing ideas

Hylla	KONST - Iaa
Titel och upphov	Art in theory 1648-1815 : an anthology of changing ideas
Utgivning, distribution etc.	Blackwell , Malden, Mass. : 2000
Utgivningsår	2000
	Språk: Engelska.
SAB klassifikationskod	Iaa:k.43 Iaa:k.45 Df:k.43 Df:k.45
Fysisk beskrivning	xxii, 1220 s. : ill. : 23 cm
Term	Konstteori 1648-1815 Art, Modern Philosophy 17th-18th centuries Art Early works to 1800
ISBN	0-631-20063-0 (inb.) 0-631-20063-0 0-631-20064-9 (hft.) 0-631-20064-9
Antal i kö:	0 (0)

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*650 4$aKonstteori
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*650 4$aArt, Modern
*650 4$aPhilosophy
*650 4$a17th-18th centuries
*650 4$aArt
*650 4$aEarly works to 1800
*697  $cKonst Teori Estetik Historia Nya Tiden
*697  $cKonst Teori Estetik Historia Nya Tiden
*7001 $aHarrison, Charles$4oth
*7001 $aWood, Paul$4oth
*7001 $aGaiger, Jason
*8520 $hKONST -  Iaa
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Art in Theory (1648-1815) provides a wide-ranging and comprehensive collection of documents on the theory of art from the founding of the French Academy until the end of the Napoleonic Wars. Like its highly successful companion volumes, Art in Theory (1815-1900) and Art in Theory (1900-1990), its' primary aim is to provide students and teachers with the documentary material for informed and up-to-date study. Its' 240 texts, clear principles of organization and considerable editorial content offer a vivid and indispensable introduction to the art of the early modern period.

Harrison, Wood and Gaiger have collected writing by artists, critics, philosophers, literary figures and administrators of the arts, some reprinted in their entirety, others excerpted from longer works. A wealth of material from French, German, Italian, Spanish, Dutch and Latin sources is also provided, including many new translations.

Among the major themes treated are early arguments over the relative merits of ancient and modern art, debates between the advocates of form and color, the beginnings of modern art criticism in reviews of the Salon, art and politics during the French Revolution, the rise of landscape painting, and the artistic theories of Romanticism and Neo-classicism.

Each section is prefaced by an essay that situates the ideas of the period in their historical context, while relating theoretical concerns and debates to developments in the practice of art. Each individual text is also accompanied by a short introduction. An extensive bibliography and full index are provided.

For more details of our book and journal list in Art, visit http://www.blackwellpublishing.com/arttheory

Establishing the Place of Art: Introduction

Ancients and Moderns

From The Painting of the Ancients 1637
Letter to Junius 1637
From The Art of Painting, its Antiquity and Greatness 1649
Dedication to Constantijn Huygens from Icones I 1660
From Painting Illustrated in Three Dialogues 1685
''A Digression on the Ancients and the Moderns'' 1688
Preface and ''second Dialogue'' from Parallel of the Ancients and Moderns 1688
From Reflections upon Ancient and Modern Learning 1694

The Academy: Systems and Principles

Letters to Chantelou and to Chambray 1647/1665
Observations on Painting c. 1660-5
Recollections of Poussin 1662-1685
Petition to the King and to the Lords of his Council 1648
Statutes and Regulations of the AcadTmie Royale de Peinture et de Sculpture 1648
From An Idea of the Perfection of Painting 1662
Letter to Poussin c. 1665
''the Idea of the Painter, Sculptor and Architect'' 1664
From Conversations on the Lives and Works of the Most Excellent Ancient and Modern Painters 1666
Preface to Seven Conferences 1667
''First Conference'' 1667
''second Conference'' 1667
''sixth Conference'' 1667
''Conference on Expression'' 1668
Table of Precepts: Expression 1680

Form and Colour

''de Imitatione Statuorum'', before 1640
From The Microcosm of Painting 1657
From ''diary of the Cavaliere Bernini''s Visit to France'' 1665
From De Arte Graphica 1667
''remarks on De Arte Graphica'' 1668
From The Rich Mines of Venetian Painting 1676
''Conference on Titian''s Virgin and Child with St John'' 1671
''Conference on the Merits of Colour'' 1671
''thoughts on M. Blanchard''s Discourse on the Merits of Colour'' 1672
From Dialogue upon Colouring 1673
From Practical Discourse on the Most Noble Art of Painting c. 1675
From The Antiquity of the Art of Painting c. 1690

The ''je ne sais quoi''

From The Hero 1637
From The Art of Worldly Wisdom 1647
''Answer to Davenant''s Preface to Gondibert'' 1650
From Fire in the Bush and The Law of Freedom in a Platform 1650/2
From PensTes c.1654-1662
On Grace and Beauty from Conversations on the Lives and Works of the Most Excellent Ancient and Modern Painters 1666
From The Conversations of Aristo and Eugene 1671
From A Compleat Body of Divinity 1689/1701
On Art and Beauty, Before 1716

Practical Resources

From Miniatura; or The Art of Limning, Revised 1648
On Rembrandt and Jan Lievens c.1630
Letters to Constantijn Huygens 1636-9
From In Praise of Painting 1642
From The Art of Painting, its Antiquity and Greatness 1649
Preface to Perspective Practical 1651
From Introduction to the Academy of Painting; or, The Visible World 1678
''the Excellency of Painting'' from A Treatise of Perspective 1684
From Principles for Studying the

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	Tillgängligt		Konstfacks bibliotek		KONST / ART - Iaa