Hylla KONST - Ibz Frampton, Hollis
Personnamn
Titel och upphov Hollis Frampton : (Nostalgi a)
Utgivning, distribution etc. Afterall Books , London ; 2006 : 2006.
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning 88 p., [16] p. of plates : ill. : 21 cm.
Serietitel - biuppslagsform
Anmärkning: Bibliografi etc. Includes bibliographical references (p. 71-80).
Personnamn
Term
ISBN 1846380014 9781846380013 (pbk.) 9781846380013 1846380189 (hbk.) 1846380189 9781846380181 (hbk.) 9781846380181 1846380014 (pbk.)
Antal i kö:
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*020 $a1846380014
*020 $a9781846380013 (pbk.)
*020 $a9781846380013
*020 $a1846380189 (hbk.)
*020 $a1846380189
*020 $a9781846380181 (hbk.)
*020 $a9781846380181
*020 $a1846380014 (pbk.)
*035 $a(Ko)29164
*040 $dViU$dVA@$dDLC$dUBY$dYDXCP$dVRC$dBTCTA$dBAKER$dUKM
*084 $aIbz Frampton, Hollis
*1001 $aMoore, Rachel O.,$d1956-
*24510$aHollis Frampton :$b(Nostalgi a) /$cRachel Moore.
*260 $aLondon ;$a2006 :$bAfterall Books ,$c2006.
*300 $a88 p., [16] p. of plates :$bill. :$c21 cm.
*440 $aOne work
*504 $aIncludes bibliographical references (p. 71-80).
*60014$aFrampton, Hollis,$d1936-1984
*60014$aCriticism and interpretation.
*63000$aNostalgi a (Motion picture)$xCriticism and interpretation.
*650 4$aPhotographers.
*650 4$aCinematographers.
*8520 $hKONST - Ibz Frampton, Hollis
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An extended illustrated account of the Hollis Frampton film that marks critical moment in art history when photography meets filmmaking. In his 1971 short film, (nostalgia), American artist and writer Hollis Frampton oveturned the conventional narrative roles of words and images. In his account of an artists's transformation from photographer to filmmaker, Frampton burns photographs he had taken and selected from his past along with one found photograph. A calm voice tells a story about an image, but the story is about the following image, not the one shown. Confounding comprehension still further, the narration begins and ends during the photograph's combustion; smoke and ashes get in our eyes while we are trying to make sense of the image and the narration-trying to remember the story that fits the image, trying to remember the image that fits the story... Frampton's (nostalgia) is a formal masterpiece, long overlooked and understudied. It emerges from a body of film work that is rarely screened, the prints damaged and difficult to locate. Frampton's work is valued in artist filmmaking and film theory circles, but it has never taken its rightful place at the heart of modern art theory. This study will introduce a new generation to a critical moment in art history-when (nostalgia) confirmed both the essence and fragility of cinema itself. Afterall Books are distributed by The MIT Press.