Konstfacks bibliotek

Sundays with Walt & Skeezix : 1921 through 1934
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Titel och upphov
  • Sundays with Walt & Skeezix : 1921 through 1934
Varianttitel
  • Sundays with Walt and Skeezix
Uniform titel
  • Gasoline alley. ; Selections
Utgivning, distribution etc.
  • Sunday Press Books , Palo Alto : 2007
Utgivningsår
  • 2007
  • Språk: Engelska.
SAB klassifikationskod
Upplaga
  • 1st ed.
Fysisk beskrivning
  • xii, [86] p. : chiefly ill. (chiefly col.) : 54 cm.
Anmärkning: Allmän
  • Accompanied by 1 sheet with full-color facsimile of cut-out paper toys of Skeezix and Pal, and 1 folded color poster reproducing the Sunday Gasoline alley comic strip from Aug. 19, 1934.
Personnamn
Term
ISBN
  • 0976888521
  • 0976888521
Antal i kö:
  • 0 (0)
*00001324nam a22003737a 4500
*00125245
*007|||||||||||||||||||||||
*008110824s2007    xxua   |      000 cdeng c
*020  $a0976888521
*020  $a0976888521
*020  $z9780976888529
*035  $a(Ko)29146
*040  $dSTF$dSTF
*084  $aHe.05
*1001 $aKing, Frank,$d1883-1969
*2401 $aGasoline alley. ;$oSelections
*24510$aSundays with Walt & Skeezix :$b1921 through 1934  /$cby Frank O. King ; [edited and assembled by Peter Maresca].
*2461 $aSundays with Walt and Skeezix
*250  $a1st ed.
*260  $aPalo Alto  :$bSunday Press Books ,$c2007
*300  $axii, [86] p.  :$bchiefly ill. (chiefly col.)  :$c54 cm.
*500  $aAccompanied by 1 sheet with full-color facsimile of cut-out paper toys of Skeezix and Pal, and 1 folded color poster reproducing the Sunday Gasoline alley comic strip from Aug. 19, 1934.
*60014$aKing, Frank,$d1883-1969
*650 4$aFamily
*650 4$aComic books, strips, etc.
*650 4$aFathers and sons
*7001 $aMaresca, Peter.$4aut
*8520 $hFOLIANTER / OVERSIZE BOOKS -  Hci
^
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Frank King's innovations in art, layout and storytelling brought a new warmth and style to the medium at the dawn of the Golden Age of newspaper comic strips. If you are interested in the development of this unique American art form, or simply love beautiful comics, this sumptuous volume is a masterpiece in comic art, and a must for your collection. Like McCay, Feininger, Herriman, and others of that era, King was a graphic innovator. His panoramic layouts, themed styling, and whimsical cartoon conceits explored new artistic methods. But he also had a great knowledge of story and character, presented with a warmth and humanity never seen before in comics, and rarely done as well since. He went beyond the gags and slapstick of his contemporaries to create vignettes of genuinely human characters; showing them relating to each other and, particularly in his Sunday comics, to the world around them.

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