Konstfacks bibliotek

*00001318nam a22004697a 4500
*00125151
*007|||||||||||||||||||||||
*008110824s1996    xxk    |      001 0 eng c
*020  $a0-907259-06-5 (hft.)
*020  $a0-907259-06-5
*035  $a(Ko)29040
*040  $dS
*084  $aAec-j
*084  $aAec-ga
*1001 $aSmeijers, Fred
*24510$aCounterpunch :$bmaking type in the sixteenth century, designing typefaces now  /$cFred Smeijers ; edited by Robin Kinross
*260  $aLondon ;$a1996 :$bHyphen ,$ccop. 1996
*300  $a191 s.  :$bill., faks.  :$c22 cm
*504  $aS. 186-187: Literature
*650 4$aType and type-founding
*650 4$aHistory
*650 4$a16th century
*650 4$aFrance
*650 4$aType and type-founding
*650 4$aHistory
*650 4$a16th century
*650 4$aFlanders
*650 4$aType and type-founding
*650 4$aTypografi
*650 4$aTypsnitt
*650 4$ahistoria
*650 4$a1500-talet
*650 4$a1900-talet
*650 4$aFrankrike
*650 4$aNederländerna
*697  $cBoktryckerihistoria Frankrike
*697  $cBoktryckerihistoria Nederländerna
*7001 $aKinross, Robin$4oth
*8520 $hGRAFISK DESIGN -  Aec
^

Explaining the sixteenth-century method of cutting metal type, Counterpunch is illustrated with early type specimens, and detailed photos of punches. Smeijers sees the technique as essential for ensuring regularity, repeatability, and speed of production necessary for rational design.