Location
Main Entry - Personal Name
Title Statement
Publication, Distribution, etc. (Imprint) University of Chicago Press , Chicago, Ill. ; London ; 2006 : 2006
SAB Classification Code
Physical Description xxiv, 491 p. : ill. : 23 cm.
General Note Includes index Indexeringslänk
Subject - Topical Term
ISBN 0-226-03584-0 (hbk.) 0-226-03584-0 : 0-226-03585-9 (pbk.) 0-226-03585-9 :
Waiting
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*020 $a0-226-03585-9 (pbk.)
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*24512$aA Mieke Bal reader /$cMieke Bal
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*300 $axxiv, 491 p. :$bill. :$c23 cm.
*500 $aIncludes index
*500 $aIndexeringslänk
*650 4$aarts
*650 4$aFeminism and art
*650 4$aArt and religion
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^
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Mieke Bal has had a significant impact on every field she has touched, from Old Testament scholarship and narratology to critical methods and visual culture. This brilliant and controversial intellectual invariably performs a high-wire act at the point where critical issues and methods intersect--or collide. She is deeply interested in the problems of cultural analysis across a range of disciplines. A Mieke Bal Reader brings together for the first time a representative collection of her work that distills her broad interests and areas of expertise. This Reader is organized into four parts, reflecting the fields that Bal has most profoundly influenced: literary study, interdisciplinary methodology, visual analysis, and postmodern theology. The essays include some of Bal's most characteristic and provocative work, capturing her at the top of her form. "Narration and Focalization," for example, provides the groundwork for Bal's ideas on narrative, while "Reading Art?" clearly outlines her concept of reading images. "Religious Canon and Literary Identity" reenvisions Bal's own work at the intersection of theology and cultural analysis, while "Enfolding Feminism" argues for a new feminist rallying cry that is not a position but a metaphor. More than a dozen other essays round out the four sections, each of which is interdisciplinary in its own right: the section devoted to literature, for instance, ranges widely over psychoanalysis, theology, photography, and even autobiography. A Mieke Bal Reader is the product of a capacious intellect and a sustained commitment to critical thinking. It will prove to be instructive, maddening, and groundbreaking--in short, all the hallmarks of intellectual inquiry at its best.
List of Illustrations Preface Analyzing Literature in Culture Narration and Focalization Introduction Analysis Commentary Agents Reader Illustrations Interpretations Conclusion Notes References The Story of W The Practice of Theory Rape, Suicide, Signs, and Show Contagious Logorrhea: Between Men Vision Vying Violence: Between Women Expository Writing Notes References All in the Family: Familiarity and Estrangement According to Marcel Proust Introduction Desire and the Ontology of the Snapshot Primal Scenes: Against the Familial Gaze Ethnography as Voyeurism The Narration of Relation Notes References Over-Writing as Un-Writing: Descriptions, World-Making, and Novelistic Time Introduction Robin (the frame) Albertine (the object) Lucretia (the killing) Nana (the decomposition) Emma (the end) Notes References Interdisciplinary Methodology Scared to Death Scared to Death of Theory Metaphors as Narratives The Concept of "Metaphor" and the Metaphor "Concept" Theory as Practice Notes References Telling, Showing, Showing Off Setting as Image, Nature as Sign Who Is Speaking? Asian Mammals: The Politics of Transition The Contest between Time and Space: Evolution and Taxonomy Circular Epistemology In the Beginning Was the Word Picking Up Crumbs Notes References Enfolding Feminism Figuring It Out Beyond Representation From House-Wife to House-Woman Actualizing Attention De-allegorizing Feminism Notes References Intention A Concept We Hate to Love Forms of Abandon Productive Opposition The Logic of Intentionalism The Performance of Thought Narrative Abandon Abandoning Authority Notes References Visual Analysis Telling Objects: A Narrative Perspective on Collecting Narrative Introduction Collecting as a Narrative Beginnings: Many Beginnings: One Middle Endings Notes References Reading Art? Appropriation Neither Speech nor Icon The Need to Read Reading Through, Skin-Deep Reading History Notes References Reading Bathsheba: From Mastercodes to Misfits Introduction Genres as Mastercodes Denaturalizing Mastercodes Reading (for the) Text The Telling Detail The Line of Sight Return to Sender: The Letter Writes Back Reading Distortion Conclusion Notes References Postmodern Theology The Rape of Narrative and the Narrative of Rape: Speech Acts and Body Language in Judges Speech Acts: The Word Become Flesh Samson's Riddle: The Word Become Woman The Riddle as Vow and the Vow as Riddle The Daughter's Body Language as a Challenge to Fatherhood The Mouth of the S/word Notes References Lots of Writing Introduction Self-Reflection Esther Writing Esther's Writing The Subject of Writing Conclusion Notes References Postmodern Theology as Cultural Analysis Points of Departure Caravaggio Today Reframing Judith Notes References Religious Canon and Literary Identity Literary Canon and Religious Identity Religious Canon and Literary Identity Ethical Non-Indifference and Artistic Merit The Cutting Edge of Literary Identity Double Binding: Literary Identity and Its Religious Effects History, Identity, and Religious Canon Notes References Cultural Analysis in an Expanded Field Meanwhile: Literature in an Expanded Field Notes References Index of Proper Nouns and Titles Index of Terms and Concepts