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Titel och upphov Experimental film and video : an anthology
Utgivning, distribution etc. Distributed in North America by Indiana University Press John Libbey Pub. , Eastleigh, UK ; Bloomington, IN ; 2006 : 2006
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning xvii, 283 s. : ill. (vissa i färg) : 23 cm
Anmärkning: Bibliografi etc.
Term
ISBN 0-86196-664-3 (pbk.) 0-86196-664-3 978-0-86196-664-6 (pbk.) 978-0-86196-664-6
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The past 40 years of technological innovation have significantly altered the materials of production and revolutionized the possibilities for experiment and exhibition. Not since the invention of film has there been such a critical period of major change in the imaging technologies accessible to artists. Bringing together key artists in film, video, and digital media, the anthology of Experimental Film and Video revisits the divergent philosophical and critical discourses of the 1970s and repositions these debates relative to contemporary practice. Forty artists have contributed images, and 25 artists reflect on the diverse critical agendas, contexts, and communities that have affected their practice across the period from the late 1960s to date. Along with an introduction by Jackie Hatfield and forewords by Sean Cubitt and Al Rees, this illustrated anthology includes interviews and recent essays by filmmakers, video artists, and pioneers of interactive cinema. Experimental Film and Video opens up the conceptual avenues for future practice and related critical writing.
Foreword p. viii Foreword p. x Introduction p. xii Philosophies and Critical Histories of Avant-Garde Film and Current Practice p. 1 Post Future Past Perfect p. 3 Matter's Time Time For Material p. 18 Films and Installations - A Systems View of Nature p. 26 A Line Through My Work p. 36 A Few Notes on Filmmaking p. 47 Film Noise Aesthetics p. 53 Line Describing a Cone and Related Films p. 61 Languages of Representation in Film and Video: Thresholds of Materiality p. 75 Trilogical Distractions p. 77 The 'autoethnographic' in Chantal Akerman's News from Home, and an Analysis of Almost Out and Stages of Mourning p. 83 Film, The Body, The Fold An Interview with Nina Danino on Now I Am Yours p. 93 Attitudes 1-8 p. 102 Video Works 1973-1983 p. 107 Early Video Tapes 1978-1987 p. 113 Andrew Kotting. What he does, how he does it and the context in which it has been done: An Alphabetarium of Kotting p. 126 Ardent for Some Desperate Glory: Revisiting Smothering Dreams p. 137 War Stories, or Why I Make Videos About Old Soldiers p. 151 Moving Parts: The Divergence of Practice p. 163 Philosophies and Critical Histories of Video Art to Cinema p. 169 Mutation on a Form p. 171 Video: Incorporeal, Incorporated p. 180 Tamara Krikorian - Defending the Frontier p. 190 Another Place - David Hall p. 200 Alchemy and the Digital Imaginary p. 212 Reflections on My Practice and Media Specificity p. 220 Expanded Cinema - Proto, Post-Photo p. 237 Image Con Text (1978-2003): Film/Performance/Video/Digital p. 246 Images p. 263