Konstfacks bibliotek

*00001644nam a2200445Ia 4500
*00124962
*007|||||||||||||||||||||||
*008110824s2006    ctua   | b    000 0 eng||
*020  $a0300116853 (hbk.)
*020  $a0300116853
*020  $a9780300116854 (hbk.)
*020  $a9780300116854
*035  $a(Ko)28837
*040  $dNYP$dNYP$dBAKER$dYDXCP$dERE$dOCLCQ$dUKM$dDLC$dIXA
*084  $aIhca
*084  $aIbz Hicks, Sheila
*24510$aSheila Hicks :$bweaving as metaphor  /$cArthur C. Danto, Joan Simon ; Nina Stritzler-Levine, editor.
*260  $aNew Haven, Conn. ;$a2006 :$bPublished for the Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture, New York by Yale University Press ,$c2006.
*300  $a415 p.  :$bill. (some col.)  :$c23 cm.
*504  $aIncludes bibliographical references (p. 394-395).
*60014$aHicks, Sheila,$d1934-
*60014$aExhibitions.
*650 4$aFiberwork
*650 4$aExhibitions.
*650 4$aWeaving
*650 4$aExhibitions.
*650 4$aVävnader
*650 4$autställningskataloger
*7001 $aDanto, Arthur Coleman,$d1924-$4aut
*7001 $aSimon, Joan.$4aut
*7001 $aStritzler-Levine, Nina.$4edt
*7101 $aBard Graduate Center for Studies in the Decorative Arts, Design, and Culture.
*8520 $hTEXTIL -  Ihcz Hicks, Sheila
*8564 $uhttp://www.loc.gov/catdir/enhancements/fy0704/2006285740-b.html
*8564 $uhttp://www.loc.gov/catdir/enhancements/fy0704/2006285740-d.html
*900  $aYudovich, F. Ja.
^

This intriguing book examines the small woven and wrought works artist Sheila Hicks has produced for the past fifty years. With their distinctive colors, thoughtful compositions, and narrative, these miniature creations reveal the emergence and continuity of the artist's approach to her work. Internationally recognized for her mastery of a textile vocabulary of extremely different scales--sculpture, tapestry, site specific commissions for public spaces, environments of recuperated clothing and uniforms, and more--Hicks has thoughtfully crafted miniatures throughout her nomadic career. The palm-sized works present a record of her remarkable and personal journeys.
Focusing on some one hundred miniatures from public and private collections, the book demonstrates the breadth of Hicks's concerns: her persistent inquiry into the mysteries of color, her playful yet reverential subversions of weaving traditions, her surprising range of materials, and her exploration of new technology. From initial experiments based on pre-Columbian weaving structures to a 2005 sculptural project using ninety colors of synthetic filaments, these small works offer a unique opportunity to access and examine the artist's conceptual and technical forays. The volume includes informative essays by Arthur C. Danto, Joan Simon, and Nina Stritzler-Levine as well as illustrations of the artist's working tools, related drawings, photographs, and chronology.



Published in association with the Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture

Exhibition Schedule:

Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture (July 13 - October 8, 2006)

• Forewordp. 9
• Sponsor's Forewordp. 15
• Introductionp. 17
• Weaving as Metaphorp. 22
• Frames of Referencep. 40
• Catalogue of the Exhibitionp. 78
• A Design Identityp. 344
• Notes to the Textp. 384
• Chronologyp. 390
• Selected Exhibition Historyp. 391
• Selected Bibliographyp. 394
• Checklist of the Exhibitionp. 402
• Illustrated Checklist of the Exhibitionp. 412