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Economising culture : on 'the (digital) culture industry'
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  • Bf
Title Statement
  • Economising culture : on 'the (digital) culture industry'
Publication, Distribution, etc. (Imprint)
  • Autonomedia , New York ; 2004 : 2004
  • 2004
  • Språk: Engelska.
SAB Classification Code
Physical Description
  • 255 p. : ill. : 21 cm.
Series Statement/Added entry--Title
Bibliography, etc. Note
  • Includes bibliographical references.
Subject - Topical Term
  • 1570271682 (pbk.)
  • 1570271682
  • 9781570271687
  • 9781570271687
  • 0 (0)
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*040  $dUKM$dUKM$dBAKER$dGZM
*084  $aBf
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*24510$aEconomising culture :$bon 'the (digital) culture industry'  /$c[edited by Geoff Cox, Joasia Krysa & Anya Lewin]
*260  $aNew York ;$a2004 :$bAutonomedia ,$c2004
*300  $a255 p.  :$bill.  :$c21 cm.
*440  $aDATA browser
*504  $aIncludes bibliographical references.
*650 4$aDigitala medier
*650 4$aInternet
*650 4$asociala aspekter
*650 4$aPopulärkultur
*650 4$asociala aspekter
*650 4$aInternet
*650 4$aSocial aspects.
*650 4$aPopular culture
*650 4$aEconomic aspects.
*650 4$aDigital media.
*7001 $aCox, Geoff$4edt
*7001 $aKrysa, Joasia$4edt
*7001 $aLewin, Anya$4edt
*8520 $hBf
*950  $aDigital video
*950  $aDigitala medier
*950  $aDigitala media
*950  $aDigitala medier
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The interaction between culture and economy was famously explored by Theodor Adorno and Max Horkheimer by the term 'Kulturindustrie' (The Culture Industry) to describe the production of mass culture and power relations between capitalist producers and mass consumers. Their account is a bleak one, but one that appears to hold continuing relevance, despite being written in 1944. Today, the pervasiveness of network technologies has contributed to the further erosion of the rigid boundaries between high art, mass culture and the economy, resulting in new kinds of cultural production charged with contradictions. On the one hand, the culture industry appears to allow for resistant strategies using digital technologies, but on the other it operates in the service of capital in ever more complex ways. This publication, the first in the DATA browser series, uses the concept of the culture industry as a point of departure, and tests its currency under new conditions.For more information see The DATA browser series presents critical texts that explore issues at the intersection of culture and technology. The editorial group are Geoff Cox, Joasia Krysa, Anya Lewin, Malcolm Miles, Mike Punt & Hugo de Rijke . This volume is produced in association with i-DAT .

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