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Title Statement Art and social change : a critical reader
Publication, Distribution, etc. (Imprint) Tate ; in association with Afterall, London : 2007
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Physical Description
Subject - Topical Term
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The relationship between art and social and political change is not only a highly topical area of current debate, it is also fundamental to the history of modern art. This volume gathers together for the first time the essential texts that have defined this area since the late nineteenth century. Using primary sources, case studies, and new commissions, Art and Social Change provides an overview of the historical development of art with ideas of social and political change, from utopian imaginings to active engagement. Incorporating artists' writings and public statements, as well as critical and theoretical texts, the volume also highlights developments outside established Western art history.
Preface p. 7 Introduction p. 9 Colour plates p. 25 1871 Letters, October 1870-April 1871 p. 36 29 October 1870 18 March 1871 7 April 1871 30 April 1871 Socialism from the Root Up p. 410 The Socialist Ideal: Art p. 47 The War in Paterson p. 57 1917 En Avant DADA: A History of Dadaism p. 61 Programme Declaration p. 68 A General Theory of Constructivism p. 69 Art and Propaganda p. 74 The End of Art p. 76 Art and Reality p. 78 Draft Manifesto p. 86 Open the Prisons! Disband the Army! p. 91 Revolution Now and Forever! p. 92 Cannibalist Manifesto p. 94 Deutschland Deutschland Uber Alles p. 99 Bauhaus no.3, The Students' Voice p. 104 The Fall of Hannes Meyer p. 106 Letter, August 1936 p. 108 We Ask Your Attention p. 110 Vision in Motion p. 115 1968 Theses on the Paris Commune Situationist International p. 121 Response to a Questionnaire from the Center for Socio-Experimental Art Situationist International p. 125 Statement p. 130 Art and Revolution p. 132 We Propose a Cultural Exchange p. 134 Psychedelic Manifesto p. 137 Hopes for Great Happenings p. 141 Guerrilla Theatre p. 143 Trip Without a Ticket p. 146 The Post-Competitive, Comparative Game of a Free City p. 152 'Experience 68' p. 157 Tucuman Arde p. 161 Posters from the Revolution, Paris, May 1968 p. 164 Position Paper no.1: On Revolutionary Art p. 166 Art for the Peoples Sake p. 171 Letter, April 1968 p. 174 Manifesto for the Guerrilla Art Action Group p. 175 A Call for the Immediate Resignation of All the Rockefellers from the Board of Trustees of the Museum of Modern Art p. 178 Letter to Richard M. Nixon p. 180 Insertions into Ideological Circuits, 1970-75 p. 181 Radical Software, vol.1 no.1, The Alternate Television Movement p. 188 The Videosphere p. 190 Cybernetic Guerrilla Warfare p. 191 Proclamation of the Orange Free State p. 196 Call to the Artists of Latin America p. 200 Women's Art: A Manifesto p. 202 Notes on Street Art by the Brigadas Ramona Parra p. 204 Resolutions of the Third World p. 206 Press Release, September 1976 p. 211 Invisible Theatre p. 213 For Self-Management Art p. 216 The Sword is Mightier than the Swede? p. 219 Position Paper: Crossroads Community (The Farm) p. 227 Art Hysterical Notions of Progress and Culture p. 230 Ideology, Confrontation and Political Self-Awareness p. 241 The Docklands Photo-Murals p. 245 Dispatches from an Unofficial War Artist p. 249 Ten Items of the Covenant p. 251 Flyer for the Rev-Revue of Soc-Fashion p. 255 Operating Manual for Leszek MAJ p. 257 1989 Geometric Retroabstraction p. 260 The Border Art Workshop/Taller De Arte Fronterizo p. 271 A Presentation Gran Fury p. 277 Rebellion on Level p p. 283 Popotla p. 290 Statement by the Feminist Artist p. 293 How To? p. 297 Politicising Sadness p. 313 Mayan Technologies and the Theory of Electronic Civil Disobedience p. 319 The Articulation of Protest p. 332 A Concise Lexicon of/for the Digital Commons p. 340 The Revenge of the Concept: Artistic Exchanges, Networked Resistance p. 350 Drifting Producers p. 369 There is no alternative: THE FUTURE IS SELF-ORGANISED p. 378 Commissioned Essays The Many ANDs of Art and Revolution p. 384 Rebuilding the Art of the People p. 395 Time Capsule p. 408 Secular Artist, Citizen Artist p. 422 Selling the Air: Notes on Art and the Desire for Social Change in Tehran p. 440 Line Describing A Curb Asymptotes about VALIE EXPORT, the New Urbanism and Contemporary Art p. 447 About the authors p. 462 About the editors p. 463 Notes p. 464 Bibliography p. 474 Index p. 478 Acknowledgements p. 479