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Titel och upphov The modernist textile : Europe and America, 1890-1940
Utgivning, distribution etc. Lund Humphries , Aldershot ; 2006 : 2006
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning 192 p. : ill. (chiefly col.) : 27 cm.
Anmärkning: Bibliografi etc. Includes bibliographical references (p. 181-188) and index
Term
Indexterm - Okontrollerad
ISBN 0-85331-900-6 (hbk.) 0-85331-900-6 978-0-85331-900-9 (hbk.) 978-0-85331-900-9
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Decorative and applied arts played a major role in shaping the Modernist aesthetic. Western artists and collectors saw textiles, particularly the abstract and handcrafted textiles from non-Western societies, as attractive alternatives to the European academic art tradition. Virginia Gardner Troy examines the importance of textiles within the context of 20th-century art and design.
Acknowledgements p. 5 Illustrations p. 7 Introduction p. 13 Objects of Neglect Objects of Value The New Art 1890-1905 p. 18 The Total Work of Art The New Art in Europa The New Art: Embroidery Decorative Painting and Textiles The Art Showroom Experimental Approaches to Design The New Art in Britain and America The New Art: Tapestry Primitivism, Abstraction and Exrerimentation 1905-1920 p. 52 The Wiener Werkstatte Artistic collaborations in the Atelier and Maison Primitivism and the Art Market Abstraction Subversive Textiles Modernist Textiles in America Surface-Designed and Embellished Textiles from the 1920s p. 82 Other Worlds: Cross-Cultural Sources Geometrie Design Art, Politics and Commerce Formulae for Design The Modernist Pictorial Textile in Europe The Pictorial Textile in America Constructed Textiles 1920-1940 p. 112 The Bauhaus in Weimar: 1919-1925 The Bauhaus in Dessau and Berlin: 1925-1932 Constructivist Textiles Beyond the Bauhaus The Constructivist Impulse in America Nationalism, Surrealism and Pictorialism in the 1930s p. 140 The American Identity Modernist Impulses and the American Identity American Regionalism and Revivalism The Political Agenda Alternative Impulses The Pictorial Tapestry Conclusion Notes p. 172 Bibliography p. 182 Index p. 190