Location
Main Entry - Personal Name
Title Statement Image makers, image takers : the essential guide to photography by those in the know
Publication, Distribution, etc. (Imprint) Thames & Hudson , London ; 2007 : 2007
SAB Classification Code
Physical Description
Subject - Personal Name Demand, Thomas, intervjuer Eggleston, William, intervjuer Mikhailov, Boris Shore, Stephen, Mark, Mary Ellen, Parr, Martin, Richards, Eugene Salgado, Sebastiao, LaChapelle, David, Sims, David Sorrenti, Mario Unwerth, Ellen von Barney, Matthew, Corbijn, Anton, Dijkstra, Rineke, Rankin Fréger, Charles Harris, Naomi Soth, Alec, Stewart, Neil
Subject - Topical Term
ISBN 9780500286623 9780500286623 0500286620 0500286620
Waiting
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*040 $dKo
*084 $aPna
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*1001 $aJaeger, Anne-Celine
*24510$aImage makers, image takers :$bthe essential guide to photography by those in the know /$cAnne-Celine Jaeger
*260 $aLondon ;$a2007 :$bThames & Hudson ,$c2007
*300 $a272 s. :$bfärgill.
*60014$aDemand, Thomas,$d1964-
*60014$aintervjuer
*60014$aEggleston, William,$d1939-
*60014$aintervjuer
*60014$aMikhailov, Boris
*60014$aShore, Stephen,$d1947-
*60014$aMark, Mary Ellen,$d1940-2015
*60014$aParr, Martin,$d1952-
*60014$aRichards, Eugene
*60014$aSalgado, Sebastiao,$d1944-
*60014$aLaChapelle, David,$d1968-
*60014$aSims, David
*60014$aSorrenti, Mario
*60014$aUnwerth, Ellen von
*60014$aBarney, Matthew,$d1967-
*60014$aCorbijn, Anton,$d1955-
*60014$aDijkstra, Rineke,$d1959-
*60014$aRankin
*60014$aFréger, Charles
*60014$aHarris, Naomi
*60014$aSoth, Alec,$d1969-
*60014$aStewart, Neil
*650 4$aFotografer
*650 4$aintervjuer
*650 4$aFotografi
*650 4$aFotokonst
*8520 $hFOTOGRAFI - In
*950 $aLandskapsfotografi
*950 $aFotografi
*950 $aLomografi
*950 $aFotografi
*950 $aModefotografi
*950 $aFotografi
*950 $aNakenfotografi
*950 $aFotografi
*950 $aNaturfotografi
*950 $aFotografi
*950 $aNärbildsfotografi
*950 $aFotografi
*950 $aPanoramafotografi
*950 $aFotografi
*950 $aPolaroidfotografi
*950 $aFotografi
*950 $aPorträttfotografi
*950 $aFotografi
*950 $aPressfotografi
*950 $aFotografi
*950 $aReklamfotografi
*950 $aFotografi
*950 $aReportagefotografi
*950 $aFotografi
*950 $aSnapshot (fotografi)
*950 $aFotografi
*950 $aSportfotografi
*950 $aFotografi
*950 $aStereofotografi
*950 $aFotografi
*950 $aTeaterfotografi
*950 $aFotografi
*950 $aTeknisk fotografi
*950 $aFotografi
*950 $aTelefotografi
*950 $aFotografi
*950 $aUndervattensfotografi
*950 $aFotografi
*950 $aVetenskaplig fotografi
*950 $aFotografi
*950 $aVäxtfotografi
*950 $aFotografi
*950 $aKonst
*950 $aFotografi
*950 $aFotografi
*950 $aFotokonst
*950 $aKonst
*950 $aFotokonst
*950 $aSnapshot (fotografi)
*950 $aFotokonst
*950 $aFotokonstnärer
*950 $aFotokonst
*950 $aFoto
*950 $aFotografi
*950 $aFotografisk konst
*950 $aFotokonst
*950 $aKonstnärlig fotografi
*950 $aFotokonst
*950 $aPhotography, Artistic
*950 $aAmatörfotografi
*950 $aFotografi
*950 $aArkitekturfotografi
*950 $aFotografi
*950 $aAteljéfotografi
*950 $aFotografi
*950 $aBildkomposition (fotografi)
*950 $aFotografi
*950 $aCyanotypi
*950 $aFotografi
*950 $aDigital fotografi
*950 $aFotografi
*950 $aDokumentärfotografi
*950 $aFotografi
*950 $aErotisk fotografi
*950 $aFotografi
*950 $aFlygfotografi
*950 $aFotografi
*950 $aFotocollage
*950 $aFotografi
*950 $aFotografi och litteratur
*950 $aFotografi
*950 $aFotografi som propaganda
*950 $aFotografi
*950 $aFotojournalistik
*950 $aFotografi
*950 $aFotokonst
*950 $aFotografi
*950 $aFotomontage
*950 $aFotografi
*950 $aFototeknik
*950 $aFotografi
*950 $aFototävlingar
*950 $aFotografi
*950 $aFärgfotografi
*950 $aFotografi
*950 $aGatufotografi
*950 $aFotografi
*950 $aHålkamerafotografi
*950 $aFotografi
*950 $aIscensatt fotografi
*950 $aFotografi
*950 $aKalotypi
*950 $aFotografi
*950 $aKriminaltekniskt fotografi
*950 $aFotografi
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This essential guide draws on in-depth interviews with established photographers from the fields of fashion, art, portraiture, documentary photography, and advertising as well as comments from picture editors, curators, agency directors, and publishers who reveal what they look for when choosing an image. The book first focuses on photographers' working practices. What made the photographer start taking pictures? How did he or she develop a signature style? What is the process involved in going from concept to shoot? How important is postproduction? Then the book turns to selection. How does a picture editor decide which photographer to commission for the next fashion spread? What kind of photograph is worthy of being hung in a gallery? What advice would an art book publisher give a budding photographer? Whether it is the question of what to look for in an image, views on cropping, or the pros and cons of color versus black and white, the shapers of taste give acute and useful accounts of their methods. This updated edition includes five new interviews: Pascal Dangin, who pioneered a revolutionary digital scanning technique; Fabrice Dall'Anese, a celebrated French portrait photographer for Vanity Fair, GQ, Elle, and others; Jörg Colberg, creator of the photography blog, Conscientious; Jehad Nga, a self-taught photographer whose focus has recently shifted from photojournalism to fine art photography; and Tim Barber, who launched tinyvices.com in 2005, an online gallery and image archive.
Introduction p. 6 Image Makers, Image Takers Art Thomas Demand p. 14 William Eggleston p. 24 Boris Mikhailov p. 34 Stephen Shore p. 44 Documentary Mary Ellen Mark p. 54 Martin Parr p. 64 Eugene Richards p. 70 Sebastiao Salgado p. 76 Fashion and Advertising David LaChapelle p. 82 David Sims p. 92 Mario Sorrenti p. 100 Ellen von Unwerth p. 108 Portraiture Tina Barney p. 118 Anton Corbijn p. 126 Rineke Dijkstra p. 136 Rankin p. 146 Next Generation Charles Freger (Portraiture) p. 156 Naomi Harris (Documentary) p. 166 Alec Soth (Art) p. 178 Neil Stewart (Fashion and Advertising) p. 188 Image Takers, Image Makers Curators and Gallerists Camilla Brown p. 202 Katherine Hinds p. 212 Dr Inka Graeve Ingelmann p. 220 Rudolf Kicken p. 230 Agency Directors, Editors and Publishers Diane Dufour p. 238 Kathy Ryan p. 244 Gerhard Steidl p. 252 Dan Torres p. 260 References Bibliography p. 266 Picture Credits p. 267 Acknowledgments p. 271 Index p. 272