Mikromarc websearch

Critical terms for art history
Your basket is empty
  • KONST - Iaa
Title Statement
  • Critical terms for art history
Publication, Distribution, etc. (Imprint)
  • University of Chicago Press , Chicago ; 2003 : 2003
  • 2003
  • Språk: Engelska.
SAB Classification Code
Edition Statement
  • 2. ed.
Physical Description
  • xvi, 364 s. : ill.
Subject - Topical Term
  • 0-226-57166-1 (inb.)
  • 0-226-57166-1
  • 0-226-57168-8 (hft.)
  • 0-226-57168-8
  • 0 (0)
*00001224nam a22004577a 4500
*008110824s2003    xxu|||||||||||000 0|eng c
*020  $a0-226-57166-1 (inb.)
*020  $a0-226-57166-1
*020  $a0-226-57168-8 (hft.)
*020  $a0-226-57168-8
*035  $a(SE-LIBR)20070000033523
*035  $a(Ko)28028
*040  $dUh
*084  $aIa:f
*084  $aIaa
*084  $aIb
*24510$aCritical terms for art history  /$cedited by Robert S. Nelson and Richard Shiff
*250  $a2. ed.
*260  $aChicago ;$a2003 :$bUniversity of Chicago Press ,$c2003
*300  $axvi, 364 s.  :$bill.
*650 4$aArt, Modern
*650 4$a20th century
*650 4$aKonst
*650 4$aKonstteori
*650 4$aTerminologi
*697  $cKonst Konsthistoria
*697  $cKonst Teori Estetik
*7001 $aNelson, Robert S.,$d1947-$4oth
*7001 $aShiff, Richard$4oth
*8520 $hKONST - Iaa
*950  $aKonstvetenskap
*950  $aKonstteori
*950  $aFeministisk konstteori
*950  $aKonstbegreppet
*950  $aKonstteori
*950  $aNomenklatur
*950  $aTerminologi
No reviews exists for this book.
Click here to be the first to write a review.

"Art" has always been contested terrain, whether the object in question is a medieval tapestry or Duchamp's Fountain . But questions about the categories of "art" and "art history" acquired increased urgency during the 1970s, when new developments in critical theory and other intellectual projects dramatically transformed the discipline. The first edition of Critical Terms for Art History both mapped and contributed to those transformations, offering a spirited reassessment of the field's methods and terminology.

Art history as a field has kept pace with debates over globalization and other social and political issues in recent years, making a second edition of this book not just timely, but crucial. Like its predecessor, this new edition consists of essays that cover a wide variety of "loaded" terms in the history of art, from sign to meaning , ritual to commodity . Each essay explains and comments on a single term, discussing the issues the term raises and putting the term into practice as an interpretive framework for a specific work of art. For example, Richard Shiff discusses "Originality" in Vija Celmins's To Fix the Image in Memory , a work made of eleven pairs of stones, each consisting of one "original" stone and one painted bronze replica.

In addition to the twenty-two original essays, this edition includes nine new ones-- performance , style , memory/monument , body , beauty , ugliness , identity , visual culture/visual studies , and social history of art --as well as new introductory material. All help expand the book's scope while retaining its central goal of stimulating discussion of theoretical issues in art history and making that discussion accessible to both beginning students and senior scholars.

Contributors: Mark Antliff, Nina Athanassoglou-Kallmyer, Stephen Bann, Homi K. Bhabha, Suzanne Preston Blier, Michael Camille, David Carrier, Craig Clunas, Whitney Davis, Jas Elsner, Ivan Gaskell, Ann Gibson, Charles Harrison, James D. Herbert, Amelia Jones, Wolfgang Kemp, Joseph Leo Koerner, Patricia Leighten, Paul Mattick Jr., Richard Meyer, W. J. T. Mitchell, Robert S. Nelson, Margaret Olin, William Pietz, Alex Potts, Donald Preziosi, Lisbet Rausing, Richard Shiff, Terry Smith, Kristine Stiles, David Summers, Paul Wood, James E. Young

Send to
IdStatusDue dateOwnerLocationShelf
 Available Konstfacks bibliotekMagasinMAGASIN - Iaa
 Available Konstfacks bibliotek KONST / ART - Iaa