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Titel och upphov Models : architecture and the miniature
Utgivning, distribution etc. Wiley , Chichester ; 2006 : 2006
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning 216 s. : ill. (huvudsakligen i färg)
Serietitel - biuppslagsform
Term
ISBN 0-470-01592-6 0-470-01592-6
Antal i kö:
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*300 $a216 s. :$bill. (huvudsakligen i färg)
*440 $aArchitecture in practice
*650 4$aArkitekturmodeller
*8520 $hARKITEKTUR - Ic
*950 $aArkitektur
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^
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Today, the physical scale model is a centrepiece for design education, celebrated practices and architecture's public relations. The development of digital fabrication devices has made model manufacture even more pervasive. The physical model is the most accessible form of architectural communication. Clients and the general public seem to immediately respond to and understand the model, over blueprints and computer simulations.
Many architects use finished models for presentations, competitions and exhibitions. Others also embrace sketch models as quick, economic and flexible generative tools. It is only with the rise of the virtual that the advantages and disadvantages of more traditional models can be fully evaluated. As attested by this book, we are now at an important watershed for the model in architecture. Practitioners and educators alike are seeking to fully understand the multiplicity of model types and how they might be strategically deployed at appropriate stages in the design process.
The historic role that the model has played is outlined with attention paid to Alberti, John Soane, the Bauhaus and education reforms. A cultural history is offered by examining models in the guise of toys, food, cinema, product design, souvenirs, narrative and art. Model theories are considered and tied to specific examples in the field. New technologies and creative combinations of traditional model-making techniques are evaluated. Kinetic, multi-media, nightscape and interdisciplinary models reveal the broad scope and exceptional versatility offered by this important tool. Models: Architecture and the Miniature focuses on current model use and experimentation by architects across the globe including David Chipperfield, Peter Eisenman, Frank Gehry, Zaha Hadid, Coop Himmelb(l)au, Daniel Libeskind, Greg Lynn and UN Studio.
Introduction : To 3D or Not to 3D A Model Education Sadar Vuga, House D, Velenje, Slovenia Brain Bowman, Design for a House of under 200 square feet UN Studio, Mercedes Benz Museum, Stuttgart, Germany Sketch Models JosT Oubrerie, French Cultural Centre, Damascus, Syria Frank O. Gehry, Gehry Partners, Walt Disney Concert Hall, Los Angeles, USA Le Corbusier and JosT Oubrerie, Church of Saint-Pierre de Firminy, Firminy-Vert, France NOX, Centre Pompidou Metz, France and Dave Lee, Hayden Planetarium, New York, USA Representational Modes Projective Models Retrospective Models Model Culture Peter Wheelwright and Laurie Simmons, The Kaleidoscope House Greg Lynn, Alessi Coffee and Tea Towers Ben Langlands and Nikki Bell, Logo Works #1 Bekonscot Model Village, Beaconsfield, Buckinghamshire, UK Mike McCrary, Mike's Amazing Cakes, Seattle, Washington, USA Michael Cadwell, Pastoral Quartet Interview with Gene Rizzardi, Hollywood Models Virtual Estimations of CAD Jawad al-Tabtaba'i, A Mosque for Dearborn, Michigan, USA Steve Turk, Parenthesis House, Columbus, Ohio, USA Ebru Simsek, Service Pack4Robotnik - Gym Updated, Vienna, Austria Conclusion : CAM to the Rescue Keagan Wilson, Drive-through Wedding Chapel, Las Vegas, Nevada, USA Greg Lynn, Uniserve Corporate Headquarters, Los Angeles and Transformation of Kleiburg: Housing Renovation, Bijlmermeer, Amsterdam, The Netherlands Notes CAD-CAM Resources Index Bibliography Acknowledgements Photocredits