Konstfacks bibliotek

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*24510$aUnmarked :$bthe politics of performance  /$cPeggy Phelan
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^

Examines the fraught relationship between political and representational visibility and invisibility within both mainstream and avant-garde art. The text takes as case studies photography, film, theatre, the iconography of anti-abortion demonstrations and performance art.

• Acknowledgementsp. ix
• Broken Symmetries: Memory, Sight, Lovep. 1
• Developing the Negative: Mapplethorpe, Schor, and Shermanp. 34
• Spatial Envy: Yvonne Rainer's the Man Who Envied Womenp. 71
• The Golden Apple: Jennie Livingston's Paris is Burningp. 93
• Theatre and Its Mother: Tom Stoppard's Hapgoodp. 112
• White Men and Pregnancy: Discovering the Body to Be Rescuedp. 130
• The Ontology of Performance: Representation Without Reproductionp. 146
• Afterword: Notes on Hope-For My Studentsp. 167
• Notesp. 181
• Bibliographyp. 195
• Indexp. 203