Konstfacks bibliotek

*00000982nam a22003617a 4500
*00124113
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*008110824s20022001enkac  |      000 0 eng c
*020  $a0-7475-5917-1  :$c£25.00
*020  $a1-58234-248-2
*020  $a1-58234-248-2
*035  $a(Ko)27831
*040  $dUk$dSfi
*084  $aInz Arnold, Eve
*084  $aImb
*084  $aF802.27
*1001 $aArnold, Eve
*24510$aFilm journal  /$cEve Arnold
*260  $aLondon ;$aNew York  :$bBloomsbury ,$c2002
*300  $a255 s.  :$bill.  :$c26 cm
*500  $aOriginally published: Cahiers du Cinéma, 2001
*504  $aIndex
*60014$aArnold, Eve
*650 4$aSkådespelare
*650 4$aFotokonst
*650 4$aSamlingsbiografier
*697  $cKonst, musik, teater och film
*697  $cFilmhistoria
*697  $cSpråkvetenskap
*8520 $hFOTOGRAFI -  Inz Arnold, Eve
^

Throughout her career, Eve Arnold alternated between serious documentary photography and working behind the scenes on numerous films. At a time when Hollywood studios controlled every aspect of their actors' image, Arnold's candid photographs showed them at their most intimate and their most compelling- Marilyn Monroe sharing a private moment with Arthur Miller, Marlene Dietrich, uncharacteristically girlish in the recording studio, Michael Caine and Candice Bergen doing an impromptu tango number and an exhausted Richard Attenborough stealing a nap in between shooting.

As her camera revealed the unseen sides of Hollywood legends, Arnold also became privy to their private lives. In her Film Journal , she writes memorably about the tensions and dramas on the film sets, of Marilyn Monroe combing her pubic hair during an interview, Simone Signoret discussing her husband, Yves Montand's infidelities, Joan Crawford sneaking in vodka in a Pepsi cooler, and Marlene Dietrich recounting her night with John F. Kennedy.