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Varianttitel Mediaart histories Media art histories
Utgivning, distribution etc. MIT Press , Cambridge, MA : 2007
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning
Serietitel - ej biuppslagsform
Anmärkning: Bibliografi etc. Includes bibliographical references
Term
Uniform titel
ISBN 978-0-262-07279-3 978-0-262-07279-3 0-262-07279-3 0-262-07279-3
Antal i kö:
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*00124087
*007|||||||||||||||||||||||
*008110824s2007 maua | b 000 0 eng c
*020 $a978-0-262-07279-3
*020 $a978-0-262-07279-3
*020 $a0-262-07279-3
*020 $a0-262-07279-3
*035 $a(Ko)27794
*084 $aIa
*24510$aMediaArtHistories /$cedited by Oliver Grau
*2461 $aMediaart histories
*2461 $aMedia art histories
*260 $aCambridge, MA :$bMIT Press ,$c2007
*300 $axii, 475 p. :$bill.
*4900 $aLeonardo
*504 $aIncludes bibliographical references
*650 4$aArt and technology
*650 4$aArt and science
*650 4$aArt
*650 4$aHistoriography
*650 4$aKonst och teknik
*7001 $aGrau, Oliver$4edt
*7300 $aMedia art history
*8520 $hKONST - Ia
^
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Leading scholars take a wider view of new media, placing it in the context of art history and acknowledging the necessity of an interdisciplinary approach in new media art studies and practice.
Series Foreword p. ix Acknowledgments p. xi Introduction p. 1 The Coming And Going Of Images p. 15 Origins: Evolution versus Revolution p. 19 It Is Forbidden Not To Touch p. 21 Some Remarks On The (Forgotten Parts Of The) History Of Interactivity And Virtuality Historicizing Art And Technology p. 43 Forging A Method And Firing A Cannon Twin-Touch-Test-Redux p. 71 Media Archaeological Approach To Art, Interactivity, And Tactility Duchamp: Interface: Turing p. 103 A Hypothetical Encounter Between The Bachelor Machine And The Universal Machine Remember The Phantasmagoria! p. 137 Illusion Politics Of The Eighteenth Century And Its Multimedial Afterlife Islamic Automation p. 163 A Reading Of Al-Jazari's The Book Of Knowledge Of Ingenious Mechanical Devices (1206) Machine--Media--Exhibition p. 179 The Automatization Of Figurative Techniques p. 181 Toward The Autonomous Image Image, Process, Performance, Machine p. 193 Aspects Of An Aesthetics Of The Machinic From Film To Interactive Art p. 207 Transformations In Media Arts The Passage From Material To Interface p. 229 The Myth Of Media Immateriality p. 251 Presenting And Preserving New Media Pop Meets Science p. 275 Device Art p. 277 A New Approach In Understanding Japanese Contemporary Art Media Projecting Minds p. 309 Abstraction And Complexity p. 339 Making Studies In New Media Critical p. 355 Image Science p. 381 Image, Meaning, And Discovery p. 383 There Are No Visual Media p. 395 Projection p. 407 Between A Bach And A Bard Place p. 423 Productive Constraint In Early Computer Arts Picturing Uncertainty p. 453 From Representation To Mental Representation Contributors p. 469