Location
Main Entry - Personal Name
Title Statement A history of artists' film and video in Britain
Publication, Distribution, etc. (Imprint) British Film Institute , London ; 2007 : 2007
SAB Classification Code
Physical Description 312 s. : ill. (vissa i färg)
Subject - Topical Term
ISBN 1-84457-096-7 (hft.) 1-84457-096-7 978-1-84457-096-6 978-1-84457-096-6
Waiting
*00000893nam a22003377a 4500
*00123758
*007|||||||||||||||||||||||
*008110824s2007 xxka | 001 0 eng c
*020 $a1-84457-096-7 (hft.)
*020 $a1-84457-096-7
*020 $a978-1-84457-096-6
*020 $a978-1-84457-096-6
*035 $a(Ko)27301
*040 $dKo
*084 $aImb-e.5
*084 $aIbh-e.5
*1001 $aCurtis, David
*24512$aA history of artists' film and video in Britain /$cDavid Curtis
*260 $aLondon ;$a2007 :$bBritish Film Institute ,$c2007
*300 $a312 s. :$bill. (vissa i färg)
*650 4$aFilm
*650 4$ahistoria
*650 4$a1900-talet
*650 4$aStorbritannien
*650 4$aVideokonst
*650 4$a1900-talet
*650 4$aStorbritannien
*8520 $hKONST - Ibhe
^
No reviews exists for this book.
Click here
to be the first to write a review.
In recent years the use of film and video by British artists has come to widespread public attention. Jeremy Deller, Douglas Gordon, Steve McQueen and Gillian Wearing all won the Turner Prize (in 2004, 1996, 1999 and 1997 respectively) for work made on video. This fin-de-siecle explosion of activity represents the culmination of a long history of work by less well-known artists and experimental film-makers. Ever since the invention of film in the 1890s, artists have been attracted to the possibilities of working with moving images, whether in pursuit of visual poetry, the exploration of the art form's technical challenges, the hope of political impact, or the desire to re-invigorate such time-honoured subjects as portraiture and landscape. Their work represents an alternative history to that of commercial cinema in Britain - a tradition that has been only intermittently written about until now. This major new book is the first comprehensive history of artists' film and video in Britain. Structured in two parts ('Institutions' and 'Artists and Movements'), it considers the work of some 300 artists, including Kenneth Macpherson, Basil Wright, Len Lye, Humphrey Jennings, Margaret Tait, Jeff Keen, Carolee Schneemann, Yoko Ono, Malcolm Le Grice, Peter Gidal, William Raban, Chris Welsby, David Hall, Tamara Krikorian, Sally Potter, Guy Sherwin, Lis Rhodes, Derek Jarman, David Larcher, Steve Dwoskin, James Scott, Peter Wollen and Laura Mulvey, Peter Greenaway, Patrick Keiller, John Smith, Andrew Stones, Jaki Irvine, Tracy Emin, Dryden Goodwin, and Stephanie Smith and Ed Stewart. Written by the leading authority in the field, A History of Artists' Film and Video in Britain, 1897-2004 brings to light the range and diversity of British artists' work in these mediums as well as the artist-run organisations that have supported the art-form's development. In so doing it greatly enlarges the scope of any understanding of 'British cinema' and demonstrates the crucial importance of the moving image to British art history.
Acknowledgments p. V Introduction Artists The Film Society p. 9 Little Magazines p. 12 Internationalism and Festivals p. 13 Schooling Artists p. 23 The London Filmmakers Co-op p. 25 Into the Gallery p. 37 Video as Video p. 40 The 1990s p. 46 Institutions Sponsored Films p. 53 Museums and Collections p. 58 Post-War Recovery p. 60 Experimental Film Fund p. 62 The Arts Council p. 66 The BFI p. 74 Funders and Broadcasters p. 78 Film and Fine Art The Camera p. 87 Landscape p. 94 Portrait p. 103 Still Life p. 112 Collage p. 114 Pop Art p. 119 Absurd p. 124 Psychedelic p. 127 Sculptors' Films p. 128 Abstraction p. 131 Figurative Animation p. 144 Narrative: Fiction, Documentary, Polemic 'Studies in Thought' p. 153 1920s Amateurs p. 157 Grierson's Avant-Garde p. 158 War p. 165 Post-War Revival p. 168 Free Cinema p. 171 Ambitious Narrative p. 173 Work p. 183 The Production of Meaning p. 186 Image and Voice p. 194 Expanded Cinema and Video Art Film as Film p. 205 Conceptual Art and Early Installations p. 213 Video Art and Television p. 220 Expanded Cinema p. 228 Other Structures p. 234 Gidal's Legacy p. 236 Later installations p. 240 Politics and Identity Sexual Liberation? p. 247 Feminism p. 253 New Romantics p. 261 Identity p. 266 The Body p. 275 Social Space p. 281 Conclusion p. 291 Index p. 295