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Titel och upphov Cinema : the archeology of film and the memory of a century
Uniform titel Archéologie du cinéma et mémoire d'une siècle. . Engelska
Utgivning, distribution etc. BERG , Oxford ; 2005 : 2005.
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning
Anmärkning: Språk Translated from the French.
Term
ISBN 978-184520-196-8 1-84520-196-5 (inb.) 1-84520-196-5 : 1-84520-197-3 (hft.) 1-84520-197-3 : 978-184520-196-8
Antal i kö:
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*00123564
*007|||||||||||||||||||||||
*008110824s2005 enk | 000 0 eng c
*020 $a978-184520-196-8
*020 $a1-84520-196-5 (inb.)
*020 $a1-84520-196-5 :$c£45.00
*020 $a1-84520-197-3 (hft.)
*020 $a1-84520-197-3 :$c£10.00
*020 $a978-184520-196-8
*035 $a(Ko)27092
*040 $dStDuBDS$dG
*0410 $aeng$hfre
*084 $aImb.5
*084 $aIkz Godard, Jean-Luc
*1001 $aGodard, Jean-Luc,$d1930-
*2401 $aArchéologie du cinéma et mémoire d'une siècle. .$lEngelska
*24510$aCinema :$bthe archeology of film and the memory of a century /$cJean-Luc Godard and Youssef Ishaghpour ; translated by John Howe.
*260 $aOxford ;$a2005 :$bBERG ,$c2005.
*300 $axv, 143 p.
*546 $aTranslated from the French.
*650 4$aMotion pictures
*650 4$aHistory
*650 4$a20th century.
*650 4$aMotion pictures
*650 4$aProduction and direction
*650 4$aHistory
*650 4$aFilm
*650 4$a1900-talet
*650 4$aFilmregissörer
*650 4$a1900-talet
*650 4$aFrankrike
*7001 $aIshaghpour, Youssef$4aut
*8520 $cIkz Godard, Jean-Luc
*900 $aIshaq'pur, Yusuf
^
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Cinema is quite simply a unique book from one of the most influential film-makers in the history of cinema. Here, Jean-Luc Godard looks back on a century of film as well as his own work and career in the industry. Born with the twentieth century, cinema became not just the century's dominant art form but its best historian. Godard argues that - after the century of Chaplin and Pol Pot, Monroe and Hitler, Stalin and Mae West, Mao and the Marx Brothers - film and history are inextricably intertwined. Against this backdrop, Godard presents his thoughts on film theory, cinematic technique, film histories, as well as the recent video revolution. As the conversation develops, Godard expounds on his central concerns - how film can 'resurrect the past', the role of rhythm in film, and how cinema can be an 'art that thinks'. Cinema: the archaeology of film and the memory of a century is a dialogue between Godard and the celebrated cinphile Youssef Ishaghpour. Here Godard comes closest to defining a lifetime's obsession with cinema and cinema's lifelong obsession with history.
Foreword p. vii Acknowledgments p. xv Interview Cinema p. 3 Constellation and Classification p. 7 Angle and Montage p. 15 The Urgency of the Present/The Redemption of the Past p. 19 History and Re-memorization p. 23 How Video Made the History of Cinema Possible p. 31 Only Cinema Can Narrate its Own History: Quotation and Montage p. 41 Histoire(s) du cinema: Films and Books p. 45 History and Archeology p. 53 The History of Love, of the Eye, and of the Gaze p. 59 Hitchcock and the Power of Cinema p. 63 The Loss of the Magic of Cinema and the Nouvelle Vague p. 67 Before and After Auschwitz p. 73 What Can Cinema Do? p. 81 Only Cinema Narrates Large-scale History by Narrating its Own History p. 87 In Cinema as in Christianity: Image and Resurrection p. 97 Image and Montage p. 105 Towards the Stars p. 111 Jean-Luc Godard, Cineaste of Modern Life: The Poetic in the Historical