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Utgivning, distribution etc. MIT Press , Cambridge, Mass. ; 2006 : 2006
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning
Term
ISBN 0-262-51195-9 (hft.) 0-262-51195-9 978-0-262-51195-7 978-0-262-51195-7
Antal i kö:
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*650 4$aConceptual art
*650 4$aInfluence
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*7001 $aBuchmann, Sabeth$4edt
*7001 $aAlberro, Alexander$4edt
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*950 $aMail art
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Well-known art historians from Europe and the Americas discuss the influence of conceptualism on art since the 1970s. Art After Conceptual Art tracks the various legacies of conceptualist practice over the past three decades. This collection of essays by art historians from Europe and the Americas introduces and develops the idea that conceptual art generated several different, and even contradictory, forms of art practice. Some of these contested commonplace assumptions of what art is; others served to buttress those assumptions. The bulk of the volume features newly written and highly innovative essays challenging standard interpretations of the legacy of conceptualism and discussing the influence of conceptualism's varied practices on art since the 1970s. The essays explore topics as diverse as the interrelationships between conceptualism and institutional critique, neoexpressionist painting and conceptualist paradigms, conceptual art's often-ignored complicity with design and commodity culture, the specific forms of identity politics taken up by the reception of conceptual art, and conceptualism's North/South and East/West dynamics. A few texts that continue to be crucial for critical debates within the fields of conceptual and postconceptual art practice, history, and theory have been reprinted in order to convey the vibrant and ongoing discussion on the status of art after conceptual art. Taken together, the essays will inspire an exploration of the relationship between postconceptualist practices and the beginnings of contemporary art.
Foreword p. 4 Series Editor's Note p. 9 Introduction: The Way Out is the Way In p. 13 After Conceptual Art Allegorical Procedures: Appropriation and Montage in Contemporary Art p. 27 Unwritten Histories of Conceptual Art p. 53 House Work and Art Work p. 67 Within the Organic Line and After p. 87 Dismantling Binaries Language, Reality, Irony: The Art Books of Jarostaw Kozlowski p. 101 Conceptual Expression: On Conceptual Gestures in Allegedly Expressive Painting, Traces of Expression in Proto-Conceptual Works, and the Significance of Artistic Procedures p. 119 Heterotopias of the Cinematographic: Institutional Critique and Cinema in the Art of Michael Asher and Dan Graham p. 135 Letting Loos(e): Institutional Critique and Design p. 151 Post-, Neo-, and New Genre Conceptual Art Transgressing Boundaries (Even Those Marked Out by the Predecessors) in New Genre Conceptual Art p. 163 Under the Sign of Labor p. 179 The Lack of Interest in Maria Eichhorn's Work p. 197 Pre Post: Speaking Backwards p. 213 Contributors p. 233 Index p. 236 Photo and Text Credits p. 239