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Titel och upphov Performing the body/performing the text
Utgivning, distribution etc. Routledge , London ; 1999 : 1999
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning xii, 306 s. : ill. : 25 cm
Term
ISBN 0-415-19059-2 (inb.) 0-415-19059-2 0-415-19060-6 (hft.) 0-415-19060-6
Antal i kö:
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*008110824s1999 xxk | 001 0 eng c
*020 $a0-415-19059-2 (inb.)
*020 $a0-415-19059-2
*020 $a0-415-19060-6 (hft.)
*020 $a0-415-19060-6
*035 $a(Ko)27063
*084 $aIbh.55
*084 $aIbvz Människokroppen
*084 $aIb.55
*24510$aPerforming the body/performing the text /$cedited by Amelia Jones and Andrew Stephenson
*260 $aLondon ;$a1999 :$bRoutledge ,$c1999
*300 $axii, 306 s. :$bill. :$c25 cm
*650 4$aPerformance art
*650 4$aArts, Modern
*650 4$a20th century
*650 4$aKonsthistoria
*650 4$a1800-talet
*650 4$a1900-talet
*650 4$aPerformance
*650 4$aKonsthistoria
*650 4$a1800-talet
*650 4$aKonsthistoria
*650 4$a1900-talet
*650 4$aMänniskokroppen i konsten
*650 4$a1900-talet
*650 4$aMänniskokroppen i konsten
*650 4$a1800-talet
*650 4$aBody art
*650 4$aMänniskokroppen i konsten
*697 $cKonst Konsthistoria Otraditionella Konstformer Efterkrig stiden
*697 $cKonst Konsthistoria Motiv
*7001 $aJones, Amelia$4oth
*7001 $aStephenson, Andrew$4oth
*8520 $hKONST - Ib.55
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This book explores the new performativity in art theory and practice, examining ways of rethinking interpretive processes in visual culture. Since the 1960s, visual art practices - from body art to minimalism - have taken contemporary art outside the museum and gallery; by embracing theatricality and performance and exploding the boundaries set by traditional art criticism. The contributors argue that interpretation needs to be recognised as much more dynamic and contingent. Offering its own performance script, and embracing both canonical fine artists such as Manet, De Kooning and Jasper Johns, and performance artists such as Vito Acconci and Gunter Brus, this book offers radical re-readings of art works and points confidently towards new models for understanding art.
List of plates p. viii Notes on contributors p. xi Acknowledgements p. xvi Introduction p. 1 Reason and remainders: Kantian performativity in the history of art p. 11 Performing modernity: the art of art history p. 29 Art history/art criticism: performing meaning p. 39 Cross-cultural reiterations: Demetra Vaka Brown and the performance of racialized female beauty p. 56 Race, ritual, and responsibility: performativity and the southern lynching p. 76 Shading meaning p. 89 The greatest homosexual? Camp pleasure and the performative body of Larry Rivers p. 107 The politics of feminist spectatorship and the disruptive body: de Kooning's Woman I reconsidered p. 127 'Catholic tastes': hurting and healing the body in Viennese Actionism in the 1960s p. 138 Contests for meaning in body politics and feminist conceptual art: revisioning the 1970s through the work of Eleanor Antin p. 153 Dismembership: Jasper Johns and the body politic p. 170 Performing clits and other lesbian tricks: speculations on an aesthetics of lack p. 186 Renaming Untitled Flesh: marking the politics of marginality p. 199 Andy Warhol: performances of Death in America p. 223 STUFF: a performance p. 237 Following Acconci/targeting vision p. 255 Performing vision in the theatre of the gaze: the work of Douglas Gordon p. 273 What sense do the senses make? Aspects of corporeality in the works of Miriam Cahn and Maureen Connor p. 283 Author/artist index p. 294 Subject index p. 299