Hylla KONST - Ibz Lissitzky, El
Titel och upphov Situating El Lissitzky : Vitebsk, Berlin, Moscow
Utgivning, distribution etc. Getty Research Institute , Los Angeles, Calif. ; 2003 : cop. 2003
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning 275 s. : ill. (vissa i färg), kartor : 26 cm
Serietitel - biuppslagsform
Nummer i serie
Anmärkning: Bibliografi etc. Includes bibliographical references and index
Personnamn
Term
ISBN 0-89236-677-X 0-89236-677-X
Antal i kö:
*00001705nam a22005777a 4500
*00123528
*007|||||||||||||||||||||||
*008110824s2003 cau | 001 0 eng c
*020 $a0-89236-677-X
*020 $a0-89236-677-X
*035 $a(Ko)27054
*084 $aIaa
*084 $aIbz Lissitzky, El
*24510$aSituating El Lissitzky :$bVitebsk, Berlin, Moscow /$cedited by Nancy Perloff and Brian Reed
*260 $aLos Angeles, Calif. ;$a2003 :$bGetty Research Institute ,$ccop. 2003
*300 $a275 s. :$bill. (vissa i färg), kartor :$c26 cm
*440 $aIssues & debates ;$v12
*504 $aIncludes bibliographical references and index
*60014$aLissitzky, El,$d1890-1941
*60014$aLissitzky, El,$d1890-1941
*60014$aCriticism and interpretation
*650 4$aAvant-garde (Aesthetics)
*650 4$aHistory
*650 4$a20th century.
*650 4$aRussia (Federation)
*650 4$aExperimentell konst
*650 4$aRyssland
*7001 $aPerloff, Nancy Lynn$4edt
*7001 $aReed, Brian,$d1971-$4edt
*7001 $aLissitzky, El,$d1890-1941$4art
*8520 $hKONST - Ibz Lissitzky, El
*900 $aLisickij, Lazar Markovic
*900 $a1890-1941
*900 $a1890-1941
*900 $aLisickij, El
*900 $a1890-1941
*900 $a1890-1941
*900 $aLissitzky, Eleazar Marcovich
*900 $a1890-1941
*900 $a1890-1941
*900 $aLissitzky, Eleazar Markowic
*900 $a1890-1941
*900 $a1890-1941
*900 $aLisitskij, Lazar
*900 $a1890-1941
*900 $a1890-1941
^
Det finns inga omdömen till denna titeln.
Klicka här
för att vara den första som skriver ett omdöme.
Situating El Lissitzky reassesses the complex career of one of the most influential yet controversial experimental artists of the early twentieth century. A prolific painter, designer, architect, and photographer, El Lissitzky (1890-1941) worked with the Soviet and the European artistic avant-gardes in the 1920s and as a propagandist for the Stalinist regime in the following decade.
Acknowledgments p. ix The Puzzle of El Lissitzky's Artistic Identity p. 1 East-West El Lissitzky and the Export of Constructivism p. 27 Definitive Space: The Many Utopias of El Lissitzky's Proun Room p. 47 Constructivism Disoriented: El Lissitzky's Dresden and Hannover Demonstrationsraume p. 77 Hand-Eye Manipulating Metaphors: El Lissitzky and the Crafted Hand p. 129 El Lissitzky's Camera Corpus p. 153 After Vitebsk: El Lissitzky and Kazimir Malevich, 1924-1929 p. 177 Propaganda El Lissitzky in Vitebsk p. 199 El Lissitzky circa 1935: Two Propaganda Projects Reconsidered p. 211 Plates p. 235 Five Letters p. 243 Biographical Notes on the Contributors p. 261 Illustration Credits p. 264 Index p. 268