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Utgivning, distribution etc. Routledge , London ; 2003 : 2003
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SAB klassifikationskod
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Anmärkning: Allmän
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ISBN 0-415-314550-0 0-415-314550-
Antal i kö:
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*084 $aIka
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*1001 $aSchechner, Richard
*24510$aPerformance theory /$cRichard Schechner ; with a new preface by the author
*250 $aRev. and expanded ed.
*260 $aLondon ;$a2003 :$bRoutledge ,$c2003
*300 $a407 s.
*440 $aRoutledge classics
*500 $a2. ed. first publ. 1988
*650 4$aTeater
*650 4$aPerformance
*8520 $hIk
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Few have had quite as much impact in both the academy and in the world of theatre production as Richard Schechner. For more than four decades his work has challenged conventional definitions of theatre, ritual and performance. When this seminal collection first appeared, Schechner's approach was not only novel, it was revolutionary: drama is not just something that occurs on stage, but something that happens in everyday life, full of meaning, and on many different levels. Within these pages he examines the connections between Western and non-Western cultures, theatre and dance, anthropology, ritual, performance in everyday life, rites of passage, play, psychotherapy and shamanism.
Preface to the Routledge Classics Edition p. ix Acknowledgments p. xiii Author's Note p. xv Introduction: The Fan and the Web p. xvii Approaches p. 1 Actuals p. 26 Drama, script, theater, and performance p. 66 From ritual to theater and back: the efficacy--entertainment braid p. 112 Toward a poetics of performance p. 170 Selective inattention p. 211 Ethology and theater p. 235 Magnitudes of performance p. 290 Rasaesthetics p. 333 References p. 368 Index p. 383