Konstfacks bibliotek

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^

Anthropologists of the senses have long argued that cultures differ in their sensory registers. This volume applies this idea to material culture and the social practices that endow objects with meanings both colonial and postcolonial relationships.

• List of Figuresp. vii
• Notes on Contributorsp. ix
• Prefacep. xiii
• Introductionp. 1
• The Senses
• Enduring and Endearing Feelings and the Transformation of Material Culture in West Africap. 35
• Studio Photography and the Aesthetics of Citizenship in The Gambia, West Africap. 61
• Cooking Skill, the Senses, and Memory: The Fate of Practical Knowledgep. 87
• Colonialism
• Mata Ora: Chiseling the Living Face, Dimensions of Maori Tattoop. 121
• Smoked Fish and Fermented Oil: Taste and Smell among the Kwakwaka'wakwp. 141
• Sonic Spectacles of Empire: The Audio-Visual Nexus, Delhi-London, 1911-12p. 169
• Museums
• The Museum as Sensescape: Western Sensibilities and Indigenous Artifactsp. 199
• The Fate of the Senses in Ethnographic Modernity: The Margaret Mead Hall of Pacific Peoples at the American Museum of Natural Historyp. 223
• Contact Points: Museums and the Lost Body Problemp. 245
• The Beauty of Letting Go: Fragmentary Museums and Archaeologies of Archivep. 269
• Indexp. 302