Hylla
Personnamn
Titel och upphov Painting gender, constructing theory : the Alfred Stieglitz circle and American formalist aesthetics
Utgivning, distribution etc. MIT Press , Cambridge, Mass. ; 2001 : cop. 2001
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning xi, 377 s., [4] pl.-s. i färg : ill. : 23 cm
Personnamn
Term
ISBN
Antal i kö:
*00001628nam a22005897a 4500
*00123371
*007|||||||||||||||||||||||
*008110824s2001 xxu | 00| 0 eng c
*020 $a0-262-02488-8 :$c£27.50
*035 $a(Ko)26892
*040 $dQ$dNfo
*084 $aInz Stieglitz, Alfred
*084 $aIaa
*084 $aIbvz Könsroller
*084 $aIb-qa.5
*1001 $aBrennan, Marcia
*24510$aPainting gender, constructing theory :$bthe Alfred Stieglitz circle and American formalist aesthetics /$cMarcia Brennan
*260 $aCambridge, Mass. ;$a2001 :$bMIT Press ,$ccop. 2001
*300 $axi, 377 s., [4] pl.-s. i färg :$bill. :$c23 cm
*60014$aStieglitz, Alfred,$d1864-1946
*60014$aO'Keeffe, Georgia,$d1887-1986$2sao
*650 4$aStieglitz Circle (Group of artists)
*650 4$aFormalism (Art)
*650 4$aUnited States
*650 4$aNew York (N.Y.)
*650 4$aKonstnärsgrupper
*650 4$a1900-talet
*650 4$aFörenta staterna
*650 4$aFotografi
*650 4$a1900-talet
*650 4$aFörenta staterna
*650 4$aKonst
*650 4$aKonstvetenskap
*650 4$aUSA
*650 4$aFilm
*650 4$aFotografi
*650 4$a1900-talet
*650 4$aKropp
*650 4$aFotografer
*650 4$aKonstnärer
*650 4$aGenus
*650 4$aErotik
*650 4$aSexualitet
*650 4$aEstetik
*697 $cKonst Konsthistoria Förenta Staterna Modern Tid
*697 $cFotografi Filmteknik
*8520 $cKONST - Iaa
^
Det finns inga omdömen till denna titeln.
Klicka här
för att vara den första som skriver ett omdöme.
After the closing of his first art gallery in 1917, photographer Alfred Stieglitz reemerged in the New York art world in the 1920s. He achieved his comeback in large part through the innovative means he used to promote himself and the artists of his inner circle. Stieglitz and a number of well-established critics drew on period conceptions of sexuality, gender, and cultural identity to characterize the artists he championed as the fulfillment of a shared vision of a vital, nonrepressed American art.