Konstfacks bibliotek

   
Participation
Komihåglistan är tom
Vis
Hylla
  • KONST - Iaa
Titel och upphov
  • Participation
Utgivning, distribution etc.
  • Whitechapel ; MIT Press, London : Cambridge, Mass. : 2006
Utgivningsår
  • 2006
  • Språk: Engelska.
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning
  • 207 s. ; 21 cm
Serietitel - ej biuppslagsform
Seriebiuppslag under titel
Anmärkning: Bibliografi etc.
  • Includes bibliographical references and index
Term
ISBN
  • 9780262524643 (MIT Press)
  • 9780854881475 (Whitechapel)
  • 0-85488-147-6 (Whitechapel)
Antal i kö:
  • 0 (0)
*00001059nam a22003377a 4500
*00123359
*00520161213112130.1
*008061012s2006    xxk           001 0 eng c
*015  $aGBA654247$2bnb
*020  $a9780262524643 (MIT Press)
*020  $a9780854881475 (Whitechapel)
*020  $a0-85488-147-6 (Whitechapel)
*035  $a(SE-LIBR)10237089
*035  $a(Ko)26880
*040  $aStDuBDS$dKo$dSdh
*08204$a701.03$222
*084  $aIaa$2kssb/8
*084  $aIa:oa$2kssb/8
*24510$aParticipation /$cedited by Claire Bishop
*260  $aLondon :$bWhitechapel ;$aCambridge, Mass. :$bMIT Press,$c2006
*300  $a207 s. ;$c21 cm
*4901 $aDocuments of contemporary art
*504  $aIncludes bibliographical references and index
*650 7$aKonstteori$2sao$0150893
*650 0$aInteractive art
*650 7$aKonstnärlig forskning$2sao$0369010
*650 0$aArt$xPhilosophy
*650  $aArtists' writings
*7001 $aBishop, Claire$4edt
*830 0$aDocuments of contemporary art series
*852  $5Ko$bKo$cKONST -$hIaa$5Ko$bKo$lPAR
^
Det finns inga omdömen till denna titeln.
Klicka här för att vara den första som skriver ett omdöme.

Art that seeks to produce situations in which relations are formed among viewers is placed in historical and theoretical context in key writings by critics and artists. The desire to move viewers out of the role of passive observers and into the role of producers is one of the hallmarks of twentieth-century art. This tendency can be found in practices and projects ranging from El Lissitzky's exhibition designs to Allan Kaprow's happenings, from minimalist objects to installation art. More recently, this kind of participatory art has gone so far as to encourage and produce new social relationships. Guy Debord's celebrated argument that capitalism fragments the social bond has become the premise for much relational art seeking to challenge and provide alternatives to the discontents of contemporary life. This publication collects texts that place this artistic development in historical and theoretical context.
Participation begins with writings that provide a theoretical framework for relational art, with essays by Umberto Eco, Bertolt Brecht, Roland Barthes, Peter B rger, Jen-Luc Nancy, Edoaurd Glissant, and Felix Guattari, as well as the first translation into English of Jacques Ranci re's influential "Problems and Transformations in Critical Art." The book also includes central writings by such artists as Lygia Clark and Helio Oiticica, Joseph Beuys, Augusto Boal, Felix Gonzalez-Torres, Thomas Hirschhorn, and Rirkrit Tiravanija. And it features recent critical and curatorial debates, with discussions by Lars Bang Larsen, Nicolas Bourriaud, Hal Foster, and Hans-Ulrich Obrist.
Copublished with Whitechapel Art Gallery, London

Sänd till
Ex.namnStatusFörfallodagTillhörPlatsHylla
 Tillgängligt Konstfacks bibliotekMagasinMAGASIN - Iaa
 Utlånat26.03.2024Konstfacks bibliotek KONST / ART - Iaa