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Title Statement A companion to contemporary art since 1945
Publication, Distribution, etc. (Imprint) Blackwell, Malden, MA : 2006
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Subject - Topical Term
ISBN 1-4051-0794-4 (inb.) 978-1-4051-0794-5 (inb.) 1-4051-3542-5 (hft.) 978-1-4051-3542-9 (hft.)
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A Companion to Contemporary Art is a major survey covering the major works and movements, the most important theoretical developments, and the historical, social, political, and aesthetic issues in contemporary art since 1945, primarily in the Euro-American context.
List of Figures p. ix Notes on Contributors p. xiv Series Editor's Preface p. xviii Acknowledgments p. xix Introduction p. 1 Decades p. 17 1945-60 "America" and its Discontents: Art and Politics 1945-60 p. 19 1960-70 The 1960s: A Decade Out-of-Bounds p. 38 1970-80 "I'm sort of sliding around in place ... ummm ...": Art in the 1970s p. 60 1980-90 Pictures and Positions in the 1980s p. 83 1990-2005 1990-2005: In the Clutches of Time p. 107 Aesthetics p. 125 Formalism Art as Idea Re-Thinking the "Duchamp Effect" p. 145 Beauty Politics p. 189 Avant-Garde Avant-Garde: A Historiography of a Critical Concept p. 191 Activism Facture for Change: US Activist Art since 1950 p. 212 Culture Wars "The Senators Were Revolted": Homophobia and the Culture Wars p. 231 Art and Its Public(s) Crowds and Connoisseurs: Art and the Public Sphere in America p. 249 Identity/Subjectivity p. 269 The Artist The Writerly Artist: Beautiful, Boring, and Blue p. 271 Diaspora Diaspora: Multiple Practices, Multiple Worldviews p. 296 Feminism Power and Pleasure: Feminist Art Practice and Theory in the United States and Britain p. 317 Queer Race/Ethnicity Implications of Blackness in Contemporary Art p. 356 Embodiment The Paradoxical Bodies of Contemporary Art p. 378 Methods/Theories p. 401 Marxism Poststructuralism Poststructuralism and Contemporary Art, Past, Present, Future ... p. 424 Postcolonial Theory "Fragments of Collapsing Space": Postcolonial Theory and Contemporary Art p. 450 Visual Culture Visual Culture Studies: Questions of History, Theory, and Practice p. 470 Technology p. 491 Mass Culture, High/Low "That's All Folks": Contemporary Art and Popular Culture p. 493 Photography/Index Image + Text: Reconsidering Photography in Contemporary Art p. 512 Spectacle/Appropriation Imagine There's No Image (It's Easy If You Try): Appropriation in the Age of Digital Reproduction p. 534 Digital Media "Life-like": Historicizing Process and Responsiveness in Digital Art p. 557 Index p. 582