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Personnamn
Titel och upphov Cut by cut : how to edit your film or video
Utgivning, distribution etc. Michael Wiese Productions , Studio City, CA : 2004
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning
Anmärkning: Bibliografi etc. Includes bibliographical references and index.
Term
ISBN 0-941188-99-X 0-941188-99-X
Antal i kö:
*00000748nam a22002657a 4500
*00122601
*007|||||||||||||||||||||||
*008110824s2004 xxua | b 001 0 eng c
*020 $a0-941188-99-X
*020 $a0-941188-99-X
*035 $a(Ko)26013
*084 $aPnbb
*1001 $aChandler, Gael,$d1951-
*24510$aCut by cut :$bhow to edit your film or video /$cGael Chandler
*260 $aStudio City, CA :$bMichael Wiese Productions ,$c2004
*300 $axvi, 370, [1] s.
*504 $aIncludes bibliographical references and index.
*650 4$aFilmklippning
*650 4$aMotion pictures
*650 4$aEditing .
*650 4$aVideo tapes
*650 4$aEditing .
*8520 $hIm
^
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Learn how skilled editors can turn raw footage into polished art for film, television, or web. With practical project guidelines and advice on organizing digital and film cutting rooms, and much more.
List of Tables p. ix Foreword p. x Preface: The Practical Alchemy of Editing p. xii Acknowledgments p. xiii Permissions p. xiv Introduction: Stepping Aboard and Navigating the Book p. xv Setting up and Organizing Introduction p. 1 How to Set up Your Project for Postproduction Introduction p. 2 Decisions, Decisions: Get Started on the Right Path through Postproduction p. 3 Project Checklist p. 22 Picture Flowchart p. 23 Choosing Your Editing System p. 25 How to Prepare Dailies for Editing Introduction p. 50 Organizing for Editing: Common Cutting Room Practices p. 51 Preparing the Digital Cutting Room for Editing p. 73 Preparing the Film Cutting Room for Editing p. 97 Show Schedule Form p. 119 Tape Log Form p. 120 Film Footage Conversion Chart p. 121 Stage One: Budget Form for Dailies p. 122 Editing Practices and Procedures Introduction p. 125 From First Cut to Final Cut: How to Approach the Footage Introduction p. 126 To Cut or Not to Cut: Where to Cut and Why p. 127 Editing Challenges and Process p. 157 Tape Show Continuity Form p. 180 Film Show Continuity Form p. 181 How to Edit on a Digital System or Film Introduction p. 182 Key Editing Techniques of the Digital Cutting Room p. 183 Key Editing Techniques of the Film Cutting Room p. 208 Stage Two: Budget Form for Editing p. 225 Completing Your Project Introduction p. 227 Sound, Music, and the Mix Introduction p. 228 Sound Design and Process p. 229 Editing and Mixing Sound and Music p. 249 Create your own Sound Flowchart p. 271 Create Your Own Music Flowchart p. 272 ADR Cue Sheet p. 273 Stage Three: Budget Form for Sound, Music, and the Mix p. 274 Finishing Introduction p. 276 Finishing on Tape, Disk, and the Web p. 277 Finishing on Film p. 310 Afterword p. 330 Stage Three: Budget Form for Finishing p. 331 How to Find an Editing Job p. 333 Resources p. 338 Glossary p. 346 Bibliography p. 364 Index p. 367