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Titel och upphov Visualizations : the nature book of art and science
Utgivning, distribution etc. Oxford University Press , Oxford : 2000
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Anmärkning: Allmän Collection of essays originally published in "Art and science", "Science and image", and the "Science and culture" series in Nature magazine
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*500 $aCollection of essays originally published in "Art and science", "Science and image", and the "Science and culture" series in Nature magazine
*650 4$aScience and the art s
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*650 4$aKonst och vetenskap
*697 $cKonst Allmänt
*8520 $cKONST - Ib
*950 $aKonst och teknik
*950 $aKonst och vetenskap
*950 $aVetenskap och konst
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Martin Kemp is the author of the widely acclaimed weekly pages "Art and Science" and "Science and Image" which have been appearing in Nature since 1997. In this visually stunning book, he brings together these fascinating articles discussing the interactions between the visual arts and science. A lively introduction describes Kemp's novel approach to the subject. Instead of describing the influence of art on science or vice-versa he emphasises the structural intuitions shared by artists and scientists. In over 75 articles, each accompanied by one or more full colour images, a wide range of art and science are covered; from Leonardo's Mona Lisa to Robert Hooke's stunning image of the eye of a fly in a microscope, and from abstract mathematics to the illustrative modes the horror movie and commercial logos. The study of the relationship between the visual worlds of the artist and the scientist is placed on a new basis. The result is a unique and fascinating book which will be of great interest to artists and scientists alike.
Acknowledgements Introduction Lisa's Laws Durer's Diagnoses Cycling the Cosmos Palissy's Philosophical Pots Vincian Velcro Vesalius's Veracity Babes in Bottles Spatial Visions Basically Brunelleschian Piero's Perspective Vermeer's Vision Saenredam's Shapes Kepler's Cosmos Cartesian Contrivances Maculate Moons Hooke's House-Fly Nature on the Move Merian's Metamorphoses Sexy Stamens and Provocative Pistils Stubb's Seeing Audubon in Action Wright's Ruptions Turner's Trinity Graphic Precisions Monge's Maths Hummel's Highlights Slanted Evidence Modelled Moons Lucid Looking Wheatstone's Waves Mendeleev's Matrix or Telling Tables Gray's Greyness Graphic Gropings Rontgen's Rays Boy's bubbles Stilled Splashes Man and Beast Shelley's Shocks Fremiet's Frenzy Hydes's Horrors Haeckel's Hierarchies Akeley's Africa Ernst's Ego Space and Time Feynman's Figurations Dali's Dimensions Bill's Bands Abbott's Absolutes Merz's Maths Making Models Albers's Abstracts Gabo's Geometry Kendrew Constructs: Geis Gazes Max's Modelling Visible Viruses Kroto and Charisma Julesz's Joyfulness Mammary Models New Worlds Revealed Dentrites from the Deep Turrell's Tunnelling Venus's Voyeurs Lane's Landscapes Process and Pattern Parker's Pieces Callan's Canyons Cementing Relationships Derges's Designs Onwin's Holistics De Vries Varieties Hesse-Honneger's Hand-Work Goldsworthy's Genera Latham's Life-Forms Attractive Attractors People, Places and Publications Icons of Intellect Laudable Labs? Noticing Nature Concluding Remarks