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Titel och upphov Museum highlights : the writings of Andrea Fraser
Utgivning, distribution etc. MIT Press, Cambridge, Mass. : 2005
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Andrea Fraser's work, writes Pierre Bourdieu in his preface to Museum Highlights, is able to trigger a social mechanism, a sort of machine infernale whose operation causes the hidden truth of social reality to reveal itself. It often does this by incorporating and inhabiting the social role it sets out to critique--as in a performance piece in which she leads a tour as a museum docent and describes the men's room in the same elevated language that she uses to describe seventeenth-century Dutch paintings. Influenced by the interdisciplinarity of postmodernism, Fraser's interventionist art draws on four primary artistic and intellectual frameworks - institutional critique, with its site-specific examination of cultural context; performance; feminism, with its investigation of identity formation; and Bourdieu's reflexive sociology.
List of Illustrations p. xii Foreword: Revolution and Revelation p. xiv Acknowledgments p. xvi Introduction: Mimicry, Excess, Critique p. xxii Critical Practices An Artist's Statements (1992) p. 3 In and Out of Place (1985) p. 17 "Creativity = Capital"? (1986) p. 29 It's Art When I Say It's Art, or. . . (1995) p. 37 What's Intangible, Transitory, Mediating, Participatory, and Rendered in the Public Sphere? (1996) p. 47 What's Intangible, Transitory, Mediating, Participatory, and Rendered in the Public Sphere? Part II(1996) p. 55 "To Quote," Say the Kabyles, "Is to Bring Back to Life" (2002) p. 81 Public Institutions, Private Objects Notes on the Museum's Publicity (1990) p. 91 Museum Highlights: A Gallery Talk (1989) p. 95 A Letter to the Wadsworth Atheneum (1991) p. 115 Welcome to the Wadsworth (1991) p. 123 Aren't They Lovely? An Introduction (1992) p. 141 Professional Interests A Speech on Documenta (1992) p. 149 How to Provide an Artistic Service: An Introduction (1994) p. 153 What Do I, as an Artist, Provide? (A Speech at the EA-Generali Foundation) (1995) p. 163 Slashing the American Canvas, or, Why I Would Rather Have a Day Job (1998) p. 169 A "Sensation" Chronicle (2001) p. 179 Official Welcome (2001) p. 213 Onward To The Past, Or, Art At The Forefront Of Regression Isn't This a Wonderful Place? (A Tour of a Tour of the Guggenheim Bilbao) (2003) p. 233 Bibliography p. 261 Index p. 266