Konstfacks bibliotek

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*00121887
*007|||||||||||||||||||||||
*008110824s2001    gw a   e      000 0 eng c
*020  $a3-933807-42-5 (brosch.)
*020  $a3-933807-42-5  :$cDM 39.00, sfr 38.00, S 285.00
*035  $a(Ko)25203
*040  $dDB$dKo
*0410 $aeng
*084  $aIbz Müller, Christian Philipp
*1001 $aMüller, Christian Philipp
*24510$aBranding the campus :$bart, architecture, design, politics of identity  /$cChristian Philipp Müller ; [editors: Beatrice von Bismarck ... ; translations: Pauline Cumbers ...]
*260  $aDüsseldorf  :$bRichter ,$c2001
*300  $a144 s.  :$bill. (vissa i färg)  :$c23 cm
*60014$aMüller, Christian Philipp,$d1957-
*60014
*7001 $aBismarck, Beatrice von$4edt
*8520 $cKONST - Ibz Müller, Christian Philipp
^

In his most recent art project, Branding the Campus , Christian Philipp Muller considers the representation of the university in the public sphere. Taking the University of Luneberg as its main site of inquiry, Muller's investigations reveal that "branding" is not simply the creation of identificatory signs. Branding the Campus problematizes the commercial pressures put on universities of late, pressures which affect the content and social criteria of academic culture. Textual and photographic documentation of Muller's two-part permanent installation is accompanied by essays examining the methodological and content-oriented relationship between this work and the artist's previous projects.

• Forewordp. 6
• Relocating the University: An Interview with Christian Philipp Mullerp. 8
• Documentationp. 24
• City and University: On the Way to the University's Identityp. 44
• On Location: Christian Philipp Muller's The Campus as a Work of Artp. 54
• Producing Meaning in a Liminal Space: Art on Campusp. 60
• Ivory Tower in Escrowp. 72
• Souvenirs, Souvenirsp. 90
• America in Germanyp. 98
• The Campus as a Work of Art: 101 Silk-screens, organized along 15 Categories, accompanied by 15 Textsp. 118
• Biography of the Artistp. 140
• Authorsp. 143
• Credits