Konstfacks bibliotek

*00001051nam a22003377a 4500
*00121882
*007|||||||||||||||||||||||
*008110824s2005    it ||||| c    000 0 eng c
*020  $a88-7624-170-1
*020  $a88-7624-170-1
*035  $a(Ko)25198
*0410 $aeng$hfre$hita
*084  $aInz Brancusi, Constantin
*084  $aIbz Brancusi, Constantin
*24510$aBrancusi :$bthe white work  /$cedited by Paola Mola ; with an essay by Marrielle Tabart
*250  $a1. ed.
*260  $aMilan ;$a2005 :$bSkira ,$ccop. 2005
*300  $a144 s.  :$bill.
*500  $aExhibition, Peggy Guggenheim Collection, Venice, February 19 - May 22, 2005
*60014$aBrancusi, Constantin,$d1876-1957
*650 4$aFotokonst
*650 4$autställningskataloger
*650 4$aSkulptörer
*650 4$a1900-talet
*650 4$aRumänien
*7001 $aBrancusi, Constantin,$d1876-1957$4pht
*7001 $aMola, Paola$4edt
*7001 $aTabart, Marielle$4oth
*8520 $hKONST -  Ibz Brancusi, Constantin
^

This catalog, published in conjunction with the Peggy Guggenheim Collection of Venice, documents the first major exhibition of Brancusi the photographer. While Brancusi's attraction to the medium is well-known, his photographs have always been seen as secondary to his other studio work. But the 96 photographs collected in this volume are to be seen as an oeuvre in their own right, formally autonomous, showing exceptional aesthetic and technical quality.The book opens new dimensions in space and time of Brancusi's work, especially for three plaster works featured: The Sleeping Muse, The Torso of a Youth, and The Baroness. The exceptional quality and openness of Brancusi-the photographer-gives vantage points on the aesthetic world beyond the realm of his bronze, marble, or wooden works.

• Prefacep. 11
• Photographs and Stills
• A Likenessp. 15
• The Exhibitionp. 19
• Captions and Digressionsp. 21
• Room 1p. 39
• Room 2p. 55
• Room 3p. 73
• Room 4p. 89
• Room 5p. 111
• Room 6p. 127
• Room 7p. 131
• Room 8p. 143
• Catalogue of Photographs and Sculpturesp. 149
• On Brancusi and Avant-garde Cinemap. 165
• Technical Informationp. 169
• Biographyp. 171
• Bibliographyp. 175
• Appendixp. 181