Konstfacks bibliotek

Language culture type : international type design in the age of Unicode : with a special section showing the winners in Bukva:raz!, the type design competition of the Association Typographique Internationale
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  • GRAFISK DESIGN - Aec
Titel och upphov
  • Language culture type : international type design in the age of Unicode : with a special section showing the winners in Bukva:raz!, the type design competition of the Association Typographique Internationale
Utgivning, distribution etc.
  • ATypI Graphis , New York : 2002
Utgivningsår
  • 2002
  • Språk: Engelska.
SAB klassifikationskod
Fysisk beskrivning
  • 373, [1] s. : ill.
Term
ISBN
  • 1-932026-01-0
  • 1-932026-01-0
Antal i kö:
  • 0 (0)
*00000996nam a22002777a 4500
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*008110824s2002    xxua   |      001 0 eng c
*020  $a1-932026-01-0
*020  $a1-932026-01-0
*035  $a(Ko)23541
*040  $dKo
*084  $aPoa
*084  $aAec
*24510$aLanguage culture type :$binternational type design in the age of Unicode : with a special section showing the winners in Bukva:raz!, the type design competition of the Association Typographique Internationale  /$cedited by John D. Berry ; [foreword: Mark Batty ; preface: John D. Berry ; text: Robert Bringhurst ...]
*260  $aNew York  :$bATypI$bGraphis ,$c2002
*300  $a373, [1] s.  :$bill.
*650 4$aTypografi
*650 4$aGrafisk formgivning
*7001 $aBatty, Mark$4aui
*7001 $aBringhurst, Robert$4aut
*8520 $cGRAFISK DESIGN - Aec
*950  $aGrafisk design
*950  $aGraphic design
^
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Language Culture Type grew out of the first international type-design competition, the 2001 bukva: raz!, whose goal was to promote global cultural pluralism, interaction, and diversity in typographic communications. The book lavishly presents the winning entries, along with information about each typeface, its language, and its designer. A series of essays gives context for the interplay of types and languages in the world today including the attempt to mesh all existing scripts into a single digital encoding system called Unicode. It also delves into the specific issues around developing typefaces for the many linguistic cultures in the world, from the various Cyrillic letterforms to Vietnams ancient ideographic script.

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