Hylla
Titel och upphov Unframed : practices and politics of women's contemporary painting
Utgivning, distribution etc. I. B. Tauris , London : 2004
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning
Term
ISBN 1-86064-771-5 (inb.) 1-86064-771-5 1-86064-772-3 (hft.) 1-86064-772-3
Antal i kö:
*00001319nam a22004937a 4500
*00120669
*007|||||||||||||||||||||||
*008110824s2004 xxk||||| |00| 0 eng c
*020 $a1-86064-771-5 (inb.)
*020 $a1-86064-771-5
*020 $a1-86064-772-3 (hft.)
*020 $a1-86064-772-3
*035 $a(Ko)23519
*084 $aIb.55
*084 $aIb.6
*084 $aIb:ohj
*24510$aUnframed :$bpractices and politics of women's contemporary painting /$cedited by Rosemary Betterton
*260 $aLondon :$bI. B. Tauris ,$c2004
*300 $a228 s. :$bill. :$c24cm.
*650 4$aKonstnärer
*650 4$a1900-talet
*650 4$aKonst
*650 4$aFeminism
*650 4$aKönsroller
*650 4$aKvinnliga konstnärer
*650 4$aKonst
*650 4$agenusaspekter
*650 4$aWomen painters.
*650 4$aPainting, Modern
*650 4$aTechnique.
*650 4$a20th century
*650 4$aPainting, Modern
*650 4$aTechnique.
*650 4$a21st century
*650 4$aMålarkonst
*650 4$a1900-talet
*7001 $aBetterton, Rosemary$4edt
*8520 $cKONST - Iaa
*950 $aKonstnärer
*950 $aKvinnliga konstnärer
*950 $aKvinnliga tecknare
*950 $aKvinnliga konstnärer
^
Det finns inga omdömen till denna titeln.
Klicka här
för att vara den första som skriver ett omdöme.
Women's painting is undergoing a vibrant revival, yet has been little explored in writing or modern visual culture. "Unframed" is an examination of women's contemporary painting. It presents writing with practitioners who engage with theory and critical theorists who deal directly with contemporary practice. All contributors reflect on their own practice and that of other women painters and theorists, whose common aim is to develop innovative ways of thinking about, and through, painting by women. The book focuses on current debates on gender, subjectivity, spectatorship and painting, and moves them forward into the second millennium. It should appeal to a range of readers, including scholars, students, artists and gallery visitors.
List of figures p. vi Notes on contributors p. viii Acknowledgements p. xi Introduction: Unframing women's painting p. 1 'Before her time?' Lily Briscoe and painting now p. 17 Painting is not a representational practice p. 41 Walking with Judy Watson: Painting, politics and intercorporeality p. 62 Susan Hiller's painted work: Bodies, aesthetics and feminism p. 79 The self-portrait and the I/eye p. 96 Threads: Dialogues with Jo Bruton, Beth Harland, Nicky May and Katie Pratt p. 115 Seeing and feeling p. 139 Restretching the canvas p. 162 Inside the visible: Painting histories p. 184 Revisiting Ann Harbuz: Inside community, outside convention p. 193 Bibliography p. 213 Index p. 221