Konstfacks bibliotek : Fashion and modernity

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Fashion and modernity

Hylla	TEXTIL - Ihk
Titel och upphov	Fashion and modernity
Utgivning, distribution etc.	BERG , Oxford : 2005
Utgivningsår	2005
	Språk: Engelska.
SAB klassifikationskod	Ihk
Fysisk beskrivning	213 s. : ill.
Term	Mode historia Fashion Psychological aspects. Clothing and dress Symbolic aspects. Clothing and dress Social aspects. Mode psykologiska aspekter Mode sociala aspekter Mode symboliska aspekter
ISBN	1-84520-028-4 (hft.) 1-84520-028-4 : 1-84520-027-6 (inb.) 1-84520-027-6
Antal i kö:	0 (0)

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*020  $a1-84520-028-4 (hft.)
*020  $a1-84520-028-4  :$c£16.99
*020  $a1-84520-027-6 (inb.)
*020  $a1-84520-027-6
*035  $a(Ko)21777
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*24510$aFashion and modernity  /$cedited by Christopher Breward and Caroline Evans
*260  $aOxford  :$bBERG ,$c2005
*300  $a213 s.  :$bill.
*650 4$aMode
*650 4$ahistoria
*650 4$aFashion
*650 4$aPsychological aspects.
*650 4$aClothing and dress
*650 4$aSymbolic aspects.
*650 4$aClothing and dress
*650 4$aSocial aspects.
*650 4$aMode
*650 4$apsykologiska aspekter
*650 4$aMode
*650 4$asociala aspekter
*650 4$aMode
*650 4$asymboliska aspekter
*7001 $aBreward, Christopher,$d1965-$4edt
*7001 $aEvans, Caroline$4edt
*8520 $cTEXTIL - Ihk
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If fashion is an expression of individuality, why do we all dress alike? Can modernity be described as the experience of 'feeling modern' and, if so, what part does fashion play? Answering these intriguing questions and many more, this pioneering book shows how the concepts of fashion and modernity are intimately linked. It argues that capitalism and identity construction as social processes both have symbiotic relationships with the fashion system. Technology, the body, nationality and gender are informed and shaped by modernity, and vice versa. Drawing on key modernist texts as well as fashion theory and practice, this book seeks broadly to cover the history of fashion and modernity, a topic that has been surprisingly overlooked. Tackling themes including court masques in seventeenth-century London, Paris couturiers and forensic laboratories in twentieth-century Washington, the authors show how fashion throughout history has been a cornerstone in the construction of a modern self.