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Utgivning, distribution etc. Taschen, Köln ; 2004 : cop. 2004
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning
Term
Uniform titel
ISBN
Antal i kö:
*00000848nam a22003137a 4500
*00118947
*00520151215140544.0
*007|||||||||||||||||||||||
*008110824s2004 gw a|||| |001 0 eng c
*020 $a3-8228-2511-5
*035 $a(Ko)21159
*040 $dKo
*0410 $aeng$ager
*084 $aQbm-qa.5
*084 $aIfq-qa.5
*24510$a20s all-american ads /$cedited by Jim Heimann ; with an introduction by Steven Heller
*260 $aKöln ;$a2004 :$bTaschen,$ccop. 2004
*300 $a638 s. :$bfärgill.
*650 4$aReklam
*650 4$a1920-talet
*650 4$aFörenta staterna
*650 4$aReklamkonst
*650 4$aGrafisk formgivning
*7001 $aHeimann, Jim$4edt
*7001 $aHeller, Steven$4aui
*7300 $aAll-American ads 20s
*8520 $hQbm$l20S
^
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The dawn of American consumerism Prohibition made liquor illegal and all the more fun to drink. Speakeasies, luxury cars, women's liberation, bathtub gin and a booming economy kept the country's mood on the up-and-up. Women sheared off their locks and taped their chests, donning flapper dresses and dancing the Charleston until their legs gave out. Gangsters flourished in big cities and gangster movies flourished in Hollywood. It was the roaring twenties in America: a singular time in history, a lull between two world wars and the last gas before the nation's descent into the Great Depression. Forging the way into the future like a modern streamliner in a sea of antiquity, advertising in the 20s sought to bring avant-garde into the mainstream -- which it did with great success.