Konstfacks bibliotek

*00000805nam a22002777ar4500
*0011784
*00520161217030836.3
*008800922s1966    xxu           000 0 eng c
*020  $a0-520-02161-4 (hft)
*020  $a0-520-00038-2 (inb.)
*035  $a(SE-LIBR)5003476
*035  $a(Ko)1918
*040  $aHib
*084  $aIaa$2kssb/5
*084  $5Ko$aDoe$2kssb/6
*084  $5Ko$aIa:do$2kssb/6
*084  $aDoe$2kssb/5
*1001 $aArnheim, Rudolf,$d1904-2007
*24500$aToward a psychology of art :$bcollected essays /$cRudolf Arnheim
*260  $aBerkeley :$bUniv. of Calif. P.,$ccop. 1966
*300  $a369 s. :$bill.
*77518$iParallellupplaga$wIMP9900719573
*852  $5Ko$bKo$cMAGASIN -$hIa$lARN
*976 2$aIaa$bKonst Teori Estetik
*976 2$aDoe$bPsykologi Kognitiv
^

Presents an interpretation of the expression of art and the relationship between this psychology and the art form. Bibliogs.

• Introduction
• Keynotes
• Form and the Consumer Agenda for the Psychology of Art
• The Sense of Sight
• Perceptual Abstraction and Art
• The Gestalt Theory of Expression
• Perceptual and Aesthetic Aspects of the Movement
• Response Perceptual Analysis of a Rorschach Card
• A Review of Proportion
• The Visible World
• Order and Complexity in Landscape Design
• The Myth of the Bleating Lamb
• Art History and the Partial
• God Accident and the Necessity of
• Art Melancholy Unshaped From Function to Expression
• Symbols
• Artistic Symbols--Freudian and Otherwise
• Perceptual Analysis of a Symbol of Interaction
• Four Analyses: The Holes of Henry Moore
• A Note on Monsters Picasso's "Nightfishing at Antibes" Concerning the Dance Abstract Language and the Metaphor
• Generalities
• On Inspiration Contemplation and Creativity
• Emotion and Feeling in Psychology and Art
• The Robin and the Saint
• To Teachers and Artists
• What Kind of Psychology?
• Is Modern Art Necessary?
• The Form we Seek
• Index