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Titel och upphov Empathic vision : affect, trauma and contemporary art
Utgivning, distribution etc. Stanford University Press , Stanford, Calif. : 2005
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning
Serietitel - biuppslagsform
Anmärkning: Bibliografi etc. Includes bibliographical references and index.
Anmärkning: Innehåll On the subject of trauma -- Insides, outsides : trauma, affect, and art -- The force of trauma -- Journeys into place -- Face-to-face encounters -- Global interconnections -- Afterword : beyond trauma culture.
Term
ISBN 0-8047-5074-2 (cloth : alk. paper) 0-8047-5074-2 0-8047-5171-4 (pbk. : alk. paper) 0-8047-5171-4
Antal i kö:
*00001432nam a22004218a 4500
*00116967
*007|||||||||||||||||||||||
*008110824s2005 xxu | b 001 0 eng||
*020 $a0-8047-5074-2 (cloth : alk. paper)
*020 $a0-8047-5074-2
*020 $a0-8047-5171-4 (pbk. : alk. paper)
*020 $a0-8047-5171-4
*035 $a(Ko)18655
*040 $dDLC$dDLC
*084 $aIbvz Våld
*084 $aIb.59
*1001 $aBennett, Jill,$d1963-
*24510$aEmpathic vision :$baffect, trauma and contemporary art /$cJill Bennett
*260 $aStanford, Calif. :$bStanford University Press ,$c2005
*300 $a188 s. :$bill.
*440 $aCultural memory in the present
*504 $aIncludes bibliographical references and index.
*505 $tOn the subject of trauma -- Insides, outsides : trauma, affect, and art -- The force of trauma -- Journeys into place -- Face-to-face encounters -- Global interconnections -- Afterword : beyond trauma culture.
*650 4$aVåld i konsten
*650 4$aKonst
*650 4$apolitiska aspekter
*650 4$a1990-talet
*650 4$a2000-talet
*650 4$aViolence in art
*650 4$aArt, Modern
*650 4$aPolitical aspects
*650 4$a20th century
*650 4$aPolitical violence
*650 4$aPsychological aspects
*8520 $cKONST - Ibvz Våld
^
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This book analyzes contemporary visual art produced in the context of conflict and trauma from a range of countries, including Colombia, Northern Ireland, South Africa, and Australia. It focuses on what makes visual language unique, arguing that the "affective" quality of art contributes to a new understanding of the experience of trauma and loss. By extending the concept of empathy, it also demonstrates how we might, through art, make connections with people in different parts of the world whose experiences differ from our own.
The book makes a distinct contribution to trauma studies, which has tended to concentrate on literary forms of expression. It also offers a sophisticated theoretical analysis of the operations of art, drawing on philosophers such as Gilles Deleuze, but setting this within a postcolonial framework.
Empathic Vision will appeal to anyone interested in the role of culture in post-September 11 global politics.