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Americans in Kodachrome 1945-1965
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  • FOTOGRAFI - Inb-q
Main Entry - Personal Name
Title Statement
  • Americans in Kodachrome 1945-1965
Publication, Distribution, etc. (Imprint)
  • Twin Palms Publishers , Santa Fe, N.M. ; 2002 : cop. 2002
  • 2002
  • Språk: Engelska.
SAB Classification Code
Edition Statement
  • 1. ed.
Physical Description
  • 92 p. : chiefly col. ill., ports. : 26 x 31 cm.
General Note
  • The author gathered photographs made by amateur photographers across the country and printed them using the Dye Transfer process
Subject - Topical Term
Subject - Geographic Name
Added Entry - Corporate Name
ISBN
  • 1-931885-08-7 (regular ed.)
  • 1-931885-08-7
  • 1-931885-20-6 (limited ed.)
  • 1-931885-20-6
Waiting
  • 0 (0)
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*007|||||||||||||||||||||||
*008110824s2002    xxuac  |      000 0 eng c
*020  $a1-931885-08-7 (regular ed.)
*020  $a1-931885-08-7
*020  $a1-931885-20-6 (limited ed.)
*020  $a1-931885-20-6
*035  $a(Ko)18615
*040  $dPAP$dPAP$dDPL$dOBE$dOCLCQ$dVZZ$dKo
*084  $aPnaf
*1001 $aStricherz, Guy
*24510$aAmericans in Kodachrome 1945-1965  /$c[compiled by] Guy Stricherz.
*250  $a1. ed.
*260  $aSanta Fe, N.M. ;$a2002 :$bTwin Palms Publishers ,$ccop. 2002
*300  $a92 p.  :$bchiefly col. ill., ports.  :$c26 x 31 cm.
*500  $aThe author gathered photographs made by amateur photographers across the country and printed them using the Dye Transfer process
*650 4$aPorträttfotografi
*650 4$abildverk
*650 4$a1945-1965
*650 4$aFörenta staterna
*650 4$aFärgfotografi
*650 4$aAmatörfotografi
*650 4$aFamily
*650 4$aPictorial works
*650 4$aUnited States
*650 4$aPhotograph collections
*650 4$aColor photography
*651 0$aUnited States$xSocial life and customs$y1945-1970
*7101 $aEastman Kodak Company
*8520 $hFOTOGRAFI - Inb-q
*910  $aKodak$uEastman Kodak Company
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Introduced in 1935 as the first modern color film. Kodachrome was used extensively after World War II by amateur photographers equipped with the new high-quality and low cost 35mm cameras. Americans in Kodachrome 1945-1965 is an unprecedented portrayal of the daily life of the people during these formative years of modern American culture. It is comprised of ninety-five exceptional color photographs made by over ninety unknown American photographers. These photographs were chosen from many thousands of slides in hundreds of collections. Like folk art in other mediums, this work is characterized by its frankness, honesty, and vigor. Made as memoirs of family and friends, the photographs reveal a free-spirited, intuitive approach, and possess a clarity and unpretentiousness characteristic of this unheralded photographic folk art. Guy Stricherz

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