Location
Main Entry - Personal Name
Title Statement Rapture : art's seduction by fashion since 1970
Publication, Distribution, etc. (Imprint) Thames & Hudson , London : 2002
SAB Classification Code
Physical Description 176 s. : ill. (huvudsakligen i färg) : 26cm.
General Note Utställning, Barbican Gallery, 10/10 - 23/12 2002 ...
Subject - Topical Term
ISBN 0-500-28383-4 (pbk.) 0-500-28383-4 :
Waiting
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*020 $a0-500-28383-4 (pbk.)
*020 $a0-500-28383-4 :$c118.95
*035 $a(Ko)18581
*040 $dBNB$dHibt$dN
*084 $aQcc
*084 $aIbv
*084 $aIb.5
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*1001 $aTownsend, Chris
*24510$aRapture :$bart's seduction by fashion since 1970 /$cChris Townsend
*260 $aLondon :$bThames & Hudson ,$c2002
*300 $a176 s. :$bill. (huvudsakligen i färg) :$c26cm.
*500 $aUtställning, Barbican Gallery, 10/10 - 23/12 2002 ...
*650 4$aMode i konsten
*650 4$aKonstutställningar
*650 4$aStorbritannien
*650 4$aLondon
*650 4$aFashion and art.
*650 4$aFashion in art.
*8520 $cKONST - Ib.55
*950 $aMode och konst
*950 $aMode i konsten
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Rapture surveys the collision of two glamorous and fascinating worlds: art and fashion. Whether covering an art installation in a SoHo boutique, Cindy Sherman's complicity with the tools of mass media or a Keith Haring image advertising a hip brand of vodka, and whether describing clothes as metaphor or sculpture, the use of street-art graffiti on a Louis Vuitton bag or Tracey Emin as Vivienne Westwood's model, Chris Townsend shows how the alluring, illusory faces of fashion and art are fused.
Introduction p. 6 Conceptualism and Fashion's Rejection p. 22 Ambivalent Embrace p. 40 The Empty Body Part 1 p. 56 The Empty Body Part 2 p. 70 Fragments of Fashion p. 80 Shopping in Space p. 90 Form and Uniform p. 102 Dressing Up Dressing Down p. 112 Who Will You be Today? p. 122 Not Cut to Pattern p. 132 To Die for p. 150 Conclusion p. 168 End Notes p. 171 Picture Credits p. 173 Index p. 175