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Titel och upphov Sculpture 1900-1945 : after Rodin
Utgivning, distribution etc. Oxford Univ. Press , Oxford : 1999
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning xi, 286 s. : ill. (vissa i färg.) : 24 cm
Serietitel - biuppslagsform
Term
Uniform titel
ISBN 0-19-210045-9 (cased) 0-19-210045-9 : 0-19-284228-5 (pbk) 0-19-284228-5 :
Antal i kö:
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*020 $a0-19-210045-9 (cased)
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*020 $a0-19-284228-5 (pbk)
*020 $a0-19-284228-5 :$c£9.99
*035 $a(Ko)18100
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*084 $aId.5
*1001 $aCurtis, Penelope
*24510$aSculpture 1900-1945 :$bafter Rodin /$cPenelope Curtis
*260 $aOxford :$bOxford Univ. Press ,$c1999
*300 $axi, 286 s. :$bill. (vissa i färg.) :$c24 cm
*440 $aOxford history of art
*650 4$aSkulptur
*650 4$a1900-1945
*697 $cSkulptur Modern Tid
*7300 $aSculpture
*8520 $cKONST - Id
^
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This book provides a comprehensive analysis of the significant growth of sculpture as an artistic form in Europe and America from 1900-1945. Using a clearly-defined thematic structure it identifies key issues and developments throughout this important period in the history of art. Individual chapters cover: public sculpture, the monument, the object, image-making, the built environment, the figurative ideal, and different materials. These themes broadly reflect the changing cultural and political climate of a turbulent period which included two world wars, each preceded by widespread rising nationalism. The practice of sculpture is considered within the wider artistic context of painting and architecture and the development of international art markets. Auguste Rodin, whose ground-breaking exhibition opened in Paris in 1900, serves as the book's point of departure, and as a recurrent point of reference.