Location
Title Statement Deconstruction and the visual arts : art, media, architecture
Publication, Distribution, etc. (Imprint) Cambridge Univ. Press , Cambridge : 1994
SAB Classification Code
Physical Description
Series Statement/Added entry--Title
Formatted Contents Note
Subject - Personal Name
Subject - Topical Term
ISBN 0-521-44271-0 0-521-44271-0 0-521-44781-X 0-521-44781-X
Waiting
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*00116083
*007|||||||||||||||||||||||
*008110824s1994 ze 00 0 eng||
*020 $a0-521-44271-0
*020 $a0-521-44271-0
*020 $a0-521-44781-X
*020 $a0-521-44781-X
*035 $a(Ko)17723
*040 $dQ
*084 $aIaa
*084 $aDbz Derrida, Jacques
*24510$aDeconstruction and the visual arts :$bart, media, architecture /$cedited by Peter Brunette and David Wills
*260 $aCambridge :$bCambridge Univ. Press ,$c1994
*300 $axi, 314 s. :$bill., ill.
*440 $aCambridge studies in new art history and criticism$999-1856821-6
*505 $ahum
*60014$aDerrida, Jacques,$d1930-2004
*650 4$aDekonstruktion
*650 4$aKonstteori
*650 4$aKonstfilosofi
*650 4$aMassmedia och konst
*650 4$aMassmedia
*650 4$aKonst
*697 $cKonst Teori Estetik
*697 $cFilosofi Historia
*7001 $aBrunette, Peter$4oth
*7001 $aWills, David$4oth
*8520 $cKONST - Iaa
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Deconstruction and the Visual Arts brings together a series of new essays by scholars of aesthetics, art history and criticism, film, television and architecture. Working with the ideas of French philosopher Jacques Derrida, the essays explore the full range of his analyses. They are modelled on the variety of critical approaches that he has encouraged, from critiques of the foundations of our thinking and disciplinary demarcation, to creative and experimental readings of visual 'texts'. Representing some of the most innovative thinking in the various arts disciplines, these contributions offer important challenges to existing disciplinary orthodoxies. Also included in this volume is a long interview with Derrida, published here for the first time.
Introduction The Spatial arts: an interview with Jacques Derrida Color has not yet been named: objectivity in deconstruction Light in painting: dis-seminating art history The dissumulation of painting The heuretics of deconstruction Impure mimesis, or the ends of the aesthetic Starting out from the frame (vignettes) Modernity again: the museum as trompe l'oeil Brushed path, slate line, stone circle: on Martin Heidegger, Richard Long, and Jacques Derrida Frank Stella and Jacques Derrida: toward a postmodern ethics of singularity Sketch: counterpoints of the eye: hand-eye coordination: translation and The Domestication of the house: deconstruction after architecture Tabbles of bower Cinema-Graphia: Eisenstein, Derrida and the sign of cinema Hermes goes Hollywood: disarticulating the cops 'n' robbers genre The Signature experiment finds Andy Hardy Sending postcards in TV land