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Titel och upphov Parody : ancient, modern, and post-modern
Utgivning, distribution etc. Cambridge Univ. Press , Cambridge : 1993
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SAB klassifikationskod
Fysisk beskrivning
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Anmärkning: Innehåll
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ISBN 0-521-41860-7 : 0-521-42924-2 :
Antal i kö:
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*00115946
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*008110824s1993 ze 00 0 eng||
*020 $a0-521-41860-7 :$c£35.00 : CIP entry (Sept.)
*020 $a0-521-42924-2 :$c£11.95 : CIP entry (Sept.)
*035 $a(Ko)17576
*040 $dL
*084 $aDbc.55
*084 $aG.0971
*084 $aG:dg
*1001 $aRose, Margaret A.
*24510$aParody :$bancient, modern, and post-modern /$cMargaret A. Rose
*260 $aCambridge :$bCambridge Univ. Press ,$c1993
*300 $aviii, 316 s. :$c22 cm
*440 $aLiterature, culture , theory ;$v5$999-1315377-8
*505 $ahum
*650 4$aParodi
*650 4$aPostmodernism
*650 4$aParodi och postmodernism
*650 4$aParodi i litteraturen
*650 4$ahistoria
*697 $cLitteraturvetenskap Satir Humor
*697 $cLitteraturvetenskap Kritik
*8520 $cG
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In this definitive work Margaret Rose presents an analysis and history of theories and uses of parody from ancient to contemporary times and offers a new approach to the analysis and classification of modern, late-modern, and post-modern theories of the subject. The author's Parody/Meta-Fiction (1979) was influential in broadening awareness of parody as a 'double-coded' device which could be used for more than mere ridicule. In the present study she both expands and revises the introductory section of her 1979 text and adds substantial new sections on modern and post-modern theories and uses of parody and pastiche which also discuss the work of theorists and writers including the Russian formalists, Mikhail Bakhtin, Hans Robert Jauss, Wolfgang Iser, Julia Kristeva, Roland Barthes, Michel Foucault, Jacques Derrida, Ihab Hassan, Jean Baudrillard, Fredric Jameson, A. S. Byatt, Martin Amis, Charles Jencks, Umberto Eco, David Lodge, Malcolm Bradbury and others.
Introduction p. 1 Defining parody from the Ancients onwards p. 3 Ways of defining parody p. 5 The etymology of parody p. 6 Comic aspects of parody p. 20 Reader reception p. 36 Attitudes of the parodist p. 45 General parody p. 47 Distinguishing parody from related forms p. 54 Burlesque and travesty p. 54 Persiflage, 'pekoral', plagiarism, and hoax p. 68 Pastiche p. 72 Quotation, 'cross-reading', cento, and contrafact p. 77 Satire p. 80 Irony p. 87 Meta-fiction p. 91 Modern parody p. 101 Modern and late-modern theories and uses of parody p. 103 Russian formalists p. 103 M. M. Bakhtin p. 125 Reception theorists p. 170 Structuralists and post-structuralists p. 177 Post-modern parody p. 193 Contemporary late-modern and post-modern theories and uses of parody p. 195 Concepts and theories of the post-modern: a summary p. 198 Deconstructionist and other late-modern theories of the post-modern and parody p. 206 Double-coded post-modernism and parody p. 232 Parody regained? Post-modern parody in theory and practice p. 242 Post-modernism and parody: conclusion p. 271 Parody: past and future p. 275 General review of past theories and uses of parody p. 277 Summary of past theories and uses of parody p. 279 The future of parody: some concluding comments p. 284 Bibliography p. 285 Index p. 306