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Titel och upphov Alternative art, New York, 1965-1985 : a cultural politics book for the Social Text Collective : the Drawing Center , New York
Utgivning, distribution etc. University of Minnesota Press , Minneapolis : 2002
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning
Anmärkning: Allmän Catalog of a 1996 exhibition entitled: "Cultural economies: histories from the alternative arts movement, NYC" held at The Drawing Center , New York.
Anmärkning: Bibliografi etc. Includes bibliographical references and index.
Indexterm - Okontrollerad
Institutionsnamn
ISBN 0-8166-3793-8 0-8166-3793-8 0-8166-3794-6 0-8166-3794-6
Antal i kö:
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*084 $aIb-qaz New York
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*24510$aAlternative art, New York, 1965-1985 :$ba cultural politics book for the Social Text Collective : the Drawing Center , New York /$cJulie Ault, editor
*260 $aMinneapolis :$bUniversity of Minnesota Press ,$c2002
*300 $a396 s. :$bill.
*500 $aCatalog of a 1996 exhibition entitled: "Cultural economies: histories from the alternative arts movement, NYC" held at The Drawing Center , New York.
*504 $aIncludes bibliographical references and index.
*653 $aKonst och politik
*653 $aKonst och minoriteter
*653 $aEstetik
*653 $aKonst, Förenta staterna, Efterkrigstiden
*7001 $aAult, Julie$4edt
*7101 $aSocial Text Collective.
*7101 $aDrawing Center (New York, N.Y.)
*8520 $cKONST - Ib-q
*950 $aAesthetics
^
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By the mid 1960s, New York's art establishment was out of step with the city's diversity and had largely ignored the decade's social, political, and cultural ferment. In response, marginalized artists created an oppositional network of organi-zations, exhibit spaces, and cooperative galleries that both paralleled and challenged the status quo. Alternative Art New York, 1965-1985 brings together a wide variety of artists and critics to explore the origins and evolution of this diffuse and vibrant cultural scene. Locating the movement within both the art world and its larger social and political context, these authors decipher the shifting configurations of cultural power in this period and the complex relationship between the mainstream and the marginal. With a unique, annotated chronology of the alternative art scene from 1965 to 1985, and illustrated with 150 images of key works, installations, and exhibits; reproductions of posters, communiques, and other ephemera; and photographs of protests and meetings, this volume is an important work of contemporary art history and a valuable sourcebook that suggests the basis for the return of an artist-driven cultural economy. Book jacket.
Preface p. vii Acknowledgments p. ix For the Record p. 1 A Chronology of Selected Alternative Structures, Spaces, Artists' Groups, and Organizations in New York City, 1965-85 p. 17 Context Biting the Hand: Artists and Museums in New York since 1969 p. 79 On Discourse as Monument: Institutional Spaces and Feminist Problematics p. 121 Mainstreaming Public Funding and Alternative Spaces p. 161 When (Art) Worlds Collide: Institutionalizing the Alternatives p. 183 Polarity Rules: Looking at Whitney Annuals and Biennials, 1968-2000 p. 201 Space, Place, and Community Alternative: Space p. 249 Sitings of Public Art: Integration versus Intervention p. 281 Local History: The Art of Battle for Bohemia in New York p. 321 Contributors p. 367 Index p. 371