Konstfacks bibliotek

*00000766nam a22002657a 4500
*00115698
*00520131212065357.2
*008031017s2003    xxk|          001 0 eng c
*020  $a0-500-23798-0
*035  $a(SE-LIBR)9146105
*035  $a(Ko)17317
*040  $aKo
*084  $aIbhe.55$2kssb/7
*1001 $aRush, Michael
*24500$aVideo art /$cMichael Rush
*260  $aLondon :$bThames & Hudson,$ccop. 2003
*300  $a224 s. :$bill. (huvudsakligen i färg)
*650 7$aVideokonst$2sao
*650 0$aVideo art
*841  $5Ko$ax  a$b031017||    |||||001||||||000000$e1
*8528 $5Ko$bKo$hKONST - Ibhe
*950  $aModern konst$wg$uVideokonst
*950  $aVideo$wg$uVideokonst
*950  $aDigital konst$uVideokonst
*950  $aVideokonstnärer$uVideokonst
^

A overview of an art form born over 35 years ago and now ubiquitous. It is divided into three sections: the first examines how certain artists have used the video camera as an extension of themselves; the second deals with the use of narrative; and the third with the hybridization of technology.

• Introductionp. 7
• Shaping a Historyp. 13
• Video and the Conceptual Bodyp. 63
• Video and the New Narrativep. 125
• Extensionsp. 167
• Global Groove to Fully Globalp. 213
• Notesp. 244
• Select Bibliographyp. 244
• Chronologyp. 245
• List of Illustrationsp. 251
• Acknowledgmentsp. 254
• Indexp. 254