Hylla
Personnamn
Titel och upphov Diane Arbus : magazine work
Utgivning, distribution etc. Aperture , [Millerton, N.Y.] ; 1984 : cop. 1984
Utgivningsår
SAB klassifikationskod
Fysisk beskrivning 175, [1] s.. : huvudsakligen ill. : 29 cm
Anmärkning: Allmän "Diane Arbus: magazine work, 1960-1971 ... an exhibition ... originated by the Helen Foresman Spencer Museum of Art, The University of Kansas, Lawrence, and organized by Thomas W. Southall" Exhibition held at the Spencer Museum of Art, January 22-March 4, 1984 and other places
Anmärkning: Bibliografi etc.
Personnamn
Indexterm - Okontrollerad
Institutionsnamn
Uniform titel Magazine work Diane Arbus, magazine work
ISBN 0-89381-152-1 0-89381-152-1
Antal i kö:
*00001480nam a22003857 45
*00115636
*007|||||||||||||||||||||||
*008110824s1984 ze c 00 0 eng||
*020 $a0-89381-152-1
*020 $a0-89381-152-1
*035 $a(Ko)17250
*040 $dNfo
*084 $aInz Arbus, Diane
*1001 $aArbus, Diane,$d1923-1971
*24510$aDiane Arbus :$bmagazine work /$cwith texts by Diane Arbus ;[essay by Thomas W. Southall ; edited by Doon Arbus and Marvin Israel]
*260 $a[Millerton, N.Y.] ;$a1984 :$bAperture ,$ccop. 1984
*300 $a175, [1] s.. :$bhuvudsakligen ill. :$c29 cm
*500 $a"Diane Arbus: magazine work, 1960-1971 ... an exhibition ... originated by the Helen Foresman Spencer Museum of Art, The University of Kansas, Lawrence, and organized by Thomas W. Southall"
*500 $aExhibition held at the Spencer Museum of Art, January 22-March 4, 1984 and other places
*504 $aS. 172-175: Bibliography
*60014$aArbus, Diane,$d1923-1971
*653 $aFotokonst
*653 $aDokumentärfotografi
*653 $aPorträttfotografi
*7001 $aSouthall, Thomas,$d1951-$4aut
*7001 $aArbus, Doon$4aut
*7001 $aIsrael, Marvin$4aut
*7101 $aHelen Foresman Spencer Museum of Art$4oth
*730 $aMagazine work
*730 $aDiane Arbus, magazine work
*8520 $cInz Arbus, Diane
*950 $aPhotography, Artistic
*950 $aPortrait photography
^
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Photography's most original artist examines the celebrities of her time in a remarkable collection of portraits. This work reveals the growth of an artist who posed no artificial boundary between art & the paying job, & who succeeded, regardless of the outlet, in putting her own uncompromising, indelible stamp on the visual imagination.