Konstfacks bibliotek

Painting machines : industrial image and process in contemporary art : exhibition and catalogue
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  • KONST - Ib.58
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  • Painting machines : industrial image and process in contemporary art : exhibition and catalogue
Utgivning, distribution etc.
  • University of Washington Press , Seattle ; 1997 : c1997
Utgivningsår
  • 1997
  • Språk: Engelska.
SAB klassifikationskod
Fysisk beskrivning
  • 64 p. : ill. (some col.) : 28 cm
Anmärkning: Allmän
  • "Boston University Art Gallery, October 30-December 14, 1997."
Anmärkning: Bibliografi etc.
  • Includes bibliographical references (p. 28-29)
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Institutionsnamn
ISBN
  • 1-881450-07-4
  • 1-881450-07-4
Antal i kö:
  • 0 (0)
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*020  $a1-881450-07-4
*020  $a1-881450-07-4
*035  $a(Ko)16230
*040  $dLC$dKo
*084  $aIbh.58
*1001 $aJones, Caroline A
*24510$aPainting machines :$bindustrial image and process in contemporary art : exhibition and catalogue  /$cby Caroline A. Jones ; exhibition coordinated by John R Stomberg
*260  $aSeattle ;$a1997 :$bUniversity of Washington Press ,$cc1997
*300  $a64 p.  :$bill. (some col.)  :$c28 cm
*500  $a"Boston University Art Gallery, October 30-December 14, 1997."
*504  $aIncludes bibliographical references (p. 28-29)
*653  $aKonst, maskiner, 1980-
*7101 $aBoston University.
*7101 $aart gallery
*8520 $cKONST - Ib.58
^
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This volume examines contemporary images of machines. It includes a group of international artists who paint machines in powerful images which link the need for technological mastery and power to the art-making impulse itself. Works by Lawrence Gipe, Donald Sultan, Robert Moskowitz, and Mark Tansey are included.

In addition, the book presents the work of sculptors (Liz Larner, Rebecca Horn, and Rosemarie Trockel) who make painting machines -- technologically fluent moving structures that both display themselves as art, and duplicate processes of artistic production. These witty, provocative assemblages provide a postmodern critique directed not at society's reliance on technology but at artistic traditions of "genius" that both proscribe the use of technology and mimic its powerful effects.

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